The Adventures of Sherlock Holmes is a collection of twelve short stories by Arthur Conan Doyle, featuring his fictional detective Sherlock Holmes. It was first published on 14 October 1892; the individual stories had been serialised in The Strand Magazine between June 1891 and July 1892. The stories are not in chronological order, and the only characters common to all twelve are Holmes and Dr. Watson. The stories are related in first-person narrative from Watson's point of view. In general the stories in The Adventures of Sherlock Holmes identify, and try to correct, social injustices. Holmes is portrayed as offering a new, fairer sense of justice. The stories were well received, and boosted the subscriptions figures of The Strand Magazine, prompting Doyle to be able to demand more money for his next set of stories. The first story, "A Scandal in Bohemia", includes the character of Irene Adler, who, despite being featured only within this one story by Doyle, is a prominent character in modern Sherlock Holmes adaptations, generally as a love interest for Holmes. Doyle included four of the twelve stories from this collection in his twelve favourite Sherlock Holmes stories, picking "The Adventure of the Speckled Band" as his overall favourite.
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The Most Dangerous Game is a short story by Richard Connell, first published in Collier's on January 19, 1924. The story features a big-game hunter from New York City who falls off a yacht and swims to an isolated island in the Caribbean, where he is hunted by a Russian aristocrat. The story is inspired by the big-game hunting safaris in Africa and South America that were particularly fashionable among wealthy Americans in the 1920s. The story has been adapted numerous times, but most notably for the 1932 RKO Pictures film The Most Dangerous Game, starring Joel McCrea and Leslie Banks, and for a 1943 episode of the CBS Radio series Suspense, starring Orson Welles. Sanger Rainsford and his friend, Whitney, are traveling to Rio de Janeiro to hunt the region's big cat: the jaguar. After a discussion about how they are "the hunters" instead of "the hunted", Whitney goes to bed and Rainsford remains on deck. While Whitney returns to his quarters Rainsford hears gunshots and climbs onto the yacht's rail to get a better view of the nearby Ship-Trap Island, and falls overboard. After he realizes he cannot swim back to the boat, he swims to Ship-Trap, which is notorious for shipwrecks. He finds a palatial chateau inhabited by two Cossacks: the owner, General Zaroff, and his gigantic deaf-mute servant, Ivan. Zaroff, another big-game hunter, knows of Rainsford from his published account of hunting snow leopards in Tibet. After inviting him to dinner, General Zaroff tells Rainsford he is bored of hunting because it no longer challenges him; he has moved to Ship-Trap in order to capture shipwrecked sailors, whether due to storms or by luring vessels onto the rocks. He sends the sailors into the jungle supplied with food, a knife, and hunting clothes to be his quarry, although he also runs a "school" of sorts to prepare sailors for this hunt should they be out of shape or disoriented from being washed ashore. After a three-hour head start, he sets out to hunt and kill them.
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The Ambassadors is a 1903 novel by Henry James, originally published as a serial in the North American Review (NAR). This dark comedy, seen as one of the masterpieces of James's final period, follows the trip of protagonist Lewis Lambert Strether to Europe in pursuit of Chad Newsome, his widowed fiancée's supposedly wayward son; he is to bring the young man back to the family business, but he encounters unexpected complications. The third-person narrative is told exclusively from Strether's point of view. Lambert Strether, a middle-aged, yet not broadly experienced, man from Woollett, Massachusetts, agrees to assume a mission for his wealthy fiancée: go to Paris and rescue her son, Chad Newsome, from the clutches of a presumably wicked woman. On his journey, Strether stops in England and there meets Maria Gostrey, an American who has lived in Paris for years. Her cynical wit and worldly opinions start to rattle Strether's preconceived view of the situation. In Paris, Strether meets Chad and is impressed by the much greater sophistication Chad seems to have gained during his years in Europe. Chad takes him to a garden party, where Strether meets Marie de Vionnet, a lovely woman of impeccable manners, separated from her reportedly unpleasant husband, and Jeanne, her exquisite daughter. Strether is confused as to whether Chad is more attracted to the mother or the daughter. At the same time, Strether, himself, feels an overwhelming attraction to Marie de Vionnet, which he suspects she might requite, and so begins questioning his commitment to return to Woollett and marry Chad's mother, despite his admiration for her. All of these impressions of Parisian culture lead Strether to confide in Little Bilham, a friend of Chad's, that he might have missed the best life has to offer. Strether starts to delight in the loveliness of Paris and stops Chad from returning to America.
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The Moon and Sixpence is a novel by W. Somerset Maugham first published in 1919. It is told in episodic form by a first-person narrator, in a series of glimpses into the mind and soul of the central character Charles Strickland, a middle-aged English stockbroker, who abandons his wife and children abruptly to pursue his desire to become an artist. The story is in part based on the life of the painter Paul Gauguin. The novel is written largely from the point of view of the narrator, a young, aspiring writer and playwright in London. Certain chapters entirely comprise accounts of events by other characters, which the narrator recalls from memory (selectively editing or elaborating on certain aspects of dialogue, particularly Strickland's, as Strickland is said by the narrator to have a very poor ability to express himself in words). The narrator first develops an acquaintance with Strickland's wife at literary parties, and later meets Strickland himself, who appears to be an unremarkable businessman with no interest in his wife's literary or artistic tastes. Strickland is a well-off, middle-class stockbroker in London sometime in late 19th or early 20th century. Early in the novel, he leaves his wife and children and goes to Paris. (The narrator enters directly into the story at this point, when he is asked by Mrs Strickland to go to Paris and talk with her husband.) He lives a destitute but defiantly content life there as an artist (specifically a painter), lodging in run-down hotels and falling prey to both illness and hunger. Strickland, in his drive to express through his art what appears to continually possess and compel him on the inside, cares nothing for physical discomfort and is indifferent to his surroundings. He is helped and supported by a commercially successful but hackneyed Dutch painter, Dirk Stroeve (coincidentally, also an old friend of the narrator's), who recognises Strickland's genius as a painter.
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This book explores the link between science and spiritualism. It upholds that it is love which is common throughout the universe. It is love which holds us on earth (Not Gravity), it is love which holds the nucleus of atom together (not nuclear force) and if this Love can be tapped very smartly we can run our machines, aircrafts, spaceships just by sheer power of love. The book is divided into five sections critical view of science, path to self realization, behavioural sciences, esoteric sciences, spiritualism and religion. Each section in great innovative detail looks at the interlink age. After reading this book you should be critically able to appreciate science, understand the ancient techniques for self realization and understand the research and linkage between various behavioural and esoteric sciences and spiritualism. According to me the universe is infinite and began infinite years ago and will continue to exist for next infinite years, this is against the conventional big bang theory which says universe has a beginning, the universe has a single consciousness and one can at best connect to this consciousness and can never crack the intelligence of nature. How to connect to this single consciousness and attain self realization is explained in the book for further information please visit my website for a detailed view
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The Age of Reason is a work written by English and American political activist Thomas Paine. It follows in the tradition of eighteenth-century British deism, and challenges institutionalized religion and the legitimacy of the Bible. Originally distributed as unbound pamphlets, it was published in three parts in 1794, 1795, and 1807. It was a best-seller in the United States, where it caused a short-lived deistic revival. British audiences, however, fearing increased political radicalism as a result of the French Revolution, received it with more hostility. The Age of Reason presents common deistic arguments; for example, it highlights what Paine saw as corruption of the Christian Church and criticizes its efforts to acquire political power. Paine advocates reason in the place of revelation, leading him to reject miracles and to view the Bible as "an ordinary piece of literature rather than as a divinely inspired text". It promotes natural religion and argues for the existence of a creator-God. Most of Paine's arguments had long been available to the educated elite, but by presenting them in an engaging and irreverent style, he made deism appealing and accessible to a mass audience. The book was also inexpensive, putting it within the reach of a large number of buyers. Fearing the spread of what they viewed as potentially revolutionary ideas, the British government prosecuted printers and book-sellers who tried to publish and distribute it. Nevertheless, Paine's work inspired and guided many free thinkers.
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The Invisible Man is a science fiction novella by H. G. Wells. Originally serialized in Pearson's Weekly in 1897, it was published as a novel the same year. The Invisible Man of the title is Griffin, a scientist who has devoted himself to research into optics and invents a way to change a body's refractive index to that of air so that it neither absorbs nor reflects light and thus becomes invisible. He successfully carries out this procedure on himself, but fails in his attempt to reverse it. While its predecessors, The Time Machine and The Island of Doctor Moreau, were written using first-person narrators, Wells adopts a third-person objective point of view in The Invisible Man. A mysterious man, Griffin, arrives at the local inn of the English village of Iping, West Sussex, during a snowstorm. The stranger wears a long-sleeved, thick coat and gloves; his face is hidden entirely by bandages except for a fake pink nose; and he wears a wide-brimmed hat. He is excessively reclusive, irascible, and unfriendly. He demands to be left alone and spends most of his time in his rooms working with a set of chemicals and laboratory apparatus, only venturing out at night. While Griffin is staying at the inn, hundreds of strange glass bottles (that he calls his luggage) arrive. Many local townspeople believe this to be very strange. He becomes the talk of the village with many theorizing as to his origins. Meanwhile, a mysterious burglary occurs in the village. Griffin is running out of money and is trying to find a way to pay for his board and lodging. When his landlady demands that he pay his bill and quit the premises, he reveals part of his invisibility to her in a fit of pique. An attempt to apprehend the stranger is frustrated when he undresses to take advantage of his invisibility, fights off his would-be captors, and flees to the downs. There Griffin coerces a tramp, Thomas Marvel, into becoming his assistant.
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Star Maker is a science fiction novel by Olaf Stapledon, published in 1937. The book describes a history of life in the universe, dwarfing in scale Stapledon's previous book, Last and First Men (1930), a history of the human species over two billion years. Star Maker tackles philosophical themes such as the essence of life, of birth, decay and death, and the relationship between creation and creator. A pervading theme is that of progressive unity within and between different civilizations. Some of the elements and themes briefly discussed prefigure later fiction concerning genetic engineering and alien life forms. Arthur C. Clarke considered Star Maker to be one of the finest works of science fiction ever written. A single human narrator from England is transported out of his body via unexplained means. He realizes he is able to explore space and other planets. After exploring a civilization on another planet in our galaxy at a level of development similar to our own that existed millions of years ago thousands of light years from Earth (the "Other Earth") in some detail, his mind merges with that of one of its inhabitants, and as they travel together, they are joined by still more minds or group-minds. This snowballing process is paralleled by the expansion of the book's scale, describing more and more planets in less and less detail. The disembodied travelers encounter many ideas that are interesting from both science-fictional and philosophical points of view. These include the first known instance of what is now called the Dyson sphere; a reference to a scenario closely predicting the later zoo hypothesis or Star Trek's Prime Directive; many imaginative descriptions of species, civilizations and methods of warfare; descriptions of the Multiverse; and the idea that the stars and even pre-galactic nebulae are intelligent beings, operating on vast time scales.
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