<p class="p1" style="margin: 0px; text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-variant-emoji: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Times New Roman'; background-color: rgba(255, 255, 255, 0);">W lutowym numerze „Pisma” zajmujemy się tematem otyłości – tej leczonej i nie, często diagnozowanej błędnie, ale też wyśmiewanej i wytykanej. Laura Bates w rozmowie z cyklu Strategie przetrwania tłumaczy, w jaki sposób społeczeństwo na każdym kroku zawodzi kobiety, a wzmacnia postawy mizoginiczne. Dalia Mikulska w przeddzień palestyńsko-izraelskiego rozejmu zwraca uwagę na Palestyńczyków przetrzymywanych latami w izraelskich więzieniach, a amerykański autor popularnonaukowy, Ferris Jabr, zaprasza nas do podziemnego świata mikrobów, które współtworzą największy żywy organizm – ziemię. I właśnie artykuł <em>Sekretne życie mikrobów</em>, w przekładzie Katarzyny Mojkowskiej, to najbardziej zaskakujący tekst, jaki przeczytacie w tym numerze.</p> <p class="p2" style="margin: 0px; text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-variant-emoji: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Times New Roman'; background-color: rgba(255, 255, 255, 0); min-height: 15px;"> </p> <p class="p1" style="margin: 0px; text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-variant-emoji: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Times New Roman'; background-color: rgba(255, 255, 255, 0);">W najnowszym wydaniu polecamy również:</p> <p class="p1" style="margin: 0px; text-align: justify; font-variant-numeric: normal; font-variant-east-asian: normal; font-variant-alternates: normal; font-size-adjust: none; font-kerning: auto; font-optical-sizing: auto; font-feature-settings: normal; font-variation-settings: normal; font-variant-position: normal; font-variant-emoji: normal; font-stretch: normal; font-size: 12px; line-height: normal; font-family: 'Times New Roman'; background-color: rgba(255, 255, 255, 0);"><span class="s1" style="color: #101010;">– felieton Magdaleny Bigaj o</span> treningu empatii i imionach naszych botów,</p> <p class="p1" style="mar...
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Am 23. Februar 2025 wurde nach bayerischem Vorbild abgestimmt: Eine Partei verliert ihre Direktmandate, wenn diese gegenüber den Listenplätzen in der Überzahl sind. Allerdings hat das Bundesverfassungsgericht eine »weiß-blaue« Sperrklausel untersagt. Die Verschonung durch die Grundmandatsregel ist geblieben, dass die Sperre bei drei Direktmandaten entfällt. Die Bayern stört das Urteil nicht: Sie halten sich nicht daran. Nach den drei Landtagswahlen in Brandenburg, Sachsen und Thüringen mussten die Koalitionsverhandlungen bereits in den Nebelschwaden abgehalten werden, die aus der Zeit der Weimarer Republik herüberwehen. Die Verschonung durch die Grundmandatsregel ist geblieben, dass die Sperre bei drei Direktmandaten entfällt. Die Bayern stört das Urteil nicht: Sie halten sich nicht daran. Nach den drei Landtagswahlen in Brandenburg, Sachsen und Thüringen mussten die Koalitionsverhandlungen bereits in den Nebelschwaden abgehalten werden, die aus der Zeit der Weimarer Republik herüberwehen. Es musste in Anarchie enden, wenn eine »Ampel« zur gleichen Zeit rot, grün und gelb aufleuchtet. Die nächste Wahl findet 2029 statt. Und es zeichnet sich nicht ab, dass man sich auf ein salomonisches Wahlrecht einigen kann. Was tut das Verfassungsgericht? Es ist nicht dazu bereit, den »gordischen Knoten« mit dem Schwert der Justiz zu durchtrennen. Deshalb stellt sich die Frage: Schafft sich 2033 die Demokratie ab?
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<p class="sc-e408b72-0 cJEgpJ sc-1f539a0b-9 iXKtta" style="font-size: 16px; box-sizing: border-box; margin: 0px 0px 1.1rem; padding: 0px; border: 0px; font-stretch: inherit; line-height: 2.24rem; font-family: 'Storytel Euclid', sans-serif; font-size-adjust: inherit; font-kerning: inherit; font-variant-alternates: inherit; font-variant-ligatures: inherit; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-variant-position: inherit; font-feature-settings: inherit; font-optical-sizing: inherit; font-variation-settings: inherit; vertical-align: baseline; letter-spacing: -0.02px; color: #5c5c5c; white-space: pre-wrap;">Czy tytułowe harpie mają coś wspólnego z mitologią grecką? Co łączy je z Dorotką Pawlakowską i czy brały udział w zabójstwie majętnej staruszki? Jak w każdej powieści kryminalnej czytelnik napotka tu wiele wątków, liczne intrygi, zawikłane śledztwo, a także historię miłosną. Bohaterowie nieustanie popadają w tarapaty i muszą rozwiązywać skomplikowane zagadki. Wszystko zaś przyprawione niezawodnym humorem Joanny Chmielewskiej.</p> <p class="sc-e408b72-0 cJEgpJ sc-1f539a0b-9 iXKtta" style="font-size: 16px; box-sizing: border-box; margin: 0px 0px 1.1rem; padding: 0px; border: 0px; font-stretch: inherit; line-height: 2.24rem; font-family: 'Storytel Euclid', sans-serif; font-size-adjust: inherit; font-kerning: inherit; font-variant-alternates: inherit; font-variant-ligatures: inherit; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-variant-position: inherit; font-feature-settings: inherit; font-optical-sizing: inherit; font-variation-settings: inherit; vertical-align: baseline; letter-spacing: -0.02px; color: #5c5c5c; white-space: pre-wrap;">Joanna Chmielewska mistrzowsko buduje napięcie, serwując czytelnikowi intrygujący kryminał pełen humoru, ironii i niezwykłych postaci. Każda strona to nowe odkrycie, które sprawia, że "Harpie" to idealna lektura na długie wieczory.</p> <p class="sc-e408b72-0 cJEgpJ sc-1f539a0b-9 iXKtta" style="font-size: 16px; box-sizing: border-box; margin: 0px 0px 1.1rem; padding: 0px; border: 0px; font-stretch: inherit; line-height: 2.24rem; font-family: 'Storytel Euclid', sans-serif; font-size-adjust: inherit; font-kerning: inherit; font-variant-alternates: inherit; font-variant-ligatures: inherit; font-variant-numeric: inherit; font-variant-east-asian: inherit; font-variant-position: inherit; font-feature-settings: inherit; font-optical-sizing: inherit; font-variation-settings: inherit; vertical-align: baseline; letter-spacing: -0.02px; color: #5c5c5c; white-space: pre-wrap;">© 2025 Wydawnictwo Błysk (Audiobook): 9788368186499</p>
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'This "love" word. Do people just use it when they feel sorry?' Eshe hasn't left the flat. Loved ones keep reaching out: blowing up her phone and showing up at her front door. They say they're going to 'save' her. She's not saying anything back. Until, in the dark early hours, surrounded by half-eaten food, dirty washing and a damn good playlist, she focuses on the letter in front of her. babirye bukilwa's play …blackbird hour is a visceral and moving exploration of care, belonging and of one queer Black woman's attempts to love herself. It was first performed at the Bush Theatre, London, in 2025, produced by Vital Xposure and directed by malakaï sargeant, before touring the UK. It was shortlisted for the Bruntwood Prize for Playwriting, the Women's Prize for Playwriting and the Alfred Fagon Award. babirye bukilwa is an actor, playwright and poet. …blackbird hour serves as a continuation of their critically acclaimed playwriting debut …cake.
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'Memory never stops. It pairs the dead with the living, real with imaginary beings, dreams with history.' She strikes a pose and the camera shutter clicks: a child playing in the debris of the Second World War. Click. A student discovering parties and men's bodies. Click. An activist fighting for the right to choose. Click. A wife picking out a velvet sofa. Click. A mother taking her eldest to judo. Click. A lover, seducing a younger man. Click. A grandmother presenting her granddaughter to the camera. Click. Les Années (The Years) is Annie Ernaux's critically acclaimed 'masterpiece' (Guardian), charting a woman's personal and political life against the backdrop of a rapidly changing post-war Europe. Eline Arbo's inventive stage adaptation was premiered as De Jaren by Het Nationale Theater in The Hague, Netherlands, in 2022, with a cast of five women collectively bringing to life an unapologetic portrait of one woman, and a whole continent. Arbo directed her adaptation at the Almeida Theatre, London, in 2024, in an English language version by Stephanie Bain – with reference to translations by Alison L. Strayer and Tanya Leslie. In 2025, The Years transferred to the Harold Pinter Theatre in London's West End, produced by Sonia Friedman Productions.
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Im Jahr 2025 erleben wir eines der erstaunlichsten politischen Comebacks aller Zeiten: Donald J. Trump tritt seine zweite Amtszeit als US-Präsident an. Eines der wesentlichen Elemente auf seinem Weg an die Spitze war dieses Buch: "Trump: Die Kunst des Erfolgs" machte Trump in den USA zu einer Marke, der Begriff des "Dealmakers" geht darauf zurück. Und dieser Begriff spielt eine zentrale Rolle für das Verständnis seiner Politik und seines Politikstils. Die Leser bekommen damit den Schlüssel dazu, wie der Präsident die Dinge anpackt – "Dealmaking" mit dem Ziel, das beste Ergebnis herauszuholen, sowohl auf dem geschäftlichen als auch auf dem politischen Parkett.
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When celebrated actress Irina Arkádina arrives at her family's country estate for the summer, she finds herself caught in a perfect storm of conflicting desires. Her playwright son, Konstantin, is struggling to step out of her shadow to pursue his own artistic ambitions. Her lover Trigorin, a famous novelist, has entranced the aspiring young actress Nina, with whom Konstantin is in love. And complicating everything is Arkádina's own need to take centre stage, in her personal life as well as her work. As their lives entwine and they each grapple with their desires, ambitions and disappointments, Anton Chekhov's timeless play unfolds in a gripping tale of vanity, power and sacrifices made in the name of art. This refreshing, revitalised adaptation of The Seagull by Duncan Macmillan and Thomas Ostermeier was first performed at the Barbican Theatre, London, in 2025, directed by Ostermeier. The ensemble cast included Cate Blanchett, Tom Burke, Emma Corrin and Kodi Smit-McPhee.
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What is the purpose and meaning of classical education? Imagine a world where education isn't just about information transfer but about shaping the soul, where students are nurtured to become virtuous, morally self-regulating citizens. Passing the Torch makes an energetic case for the critical role of classical Christian education in today's world. From the pre-Christian musings of Plato to the modern reflections of C. S. Lewis, Passing the Torch intertwines the wisdom of diverse epochs to argue for an educational renaissance grounded in classical Christian values. Passing the Torch takes educators and parents on a literary and philosophical pilgrimage that includes: - Bibliographic Essays: Each essay serves as a gateway to key texts and influential thinkers, making it an invaluable guide for educators and homeschooling parents alike. - Close Readings: Delve into thoughtful examinations of pivotal figures such as Augustine, Rousseau, and Dorothy Sayers offering an intimate understanding of the moral and educational imperatives they championed. - Passionate Advocacy: Passing the Torch ignites a fervor for the value and necessity of classical Christian education that is both infectious and inspiring. In an era where educational paradigms often prioritize technological proficiency over moral formation, Passing the Torch is a call to return to the roots of classical Christian education. "Reflecting on the writings of literary and philosophical giants from Plato and Augustine to C.S. Lewis and Dorothy Sayers, Markos makes a strong case for the benefits of classical education over the modern public education system." – Library Journal Review, April 2025
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