While searching for her father, a runaway stumbles into a deadly mess. At thirteen, Mandy was too old for spanking when her stepfather first took her over his knee. She's didn't mind the pain, but hated the look in his eye and his lingering hand. By the time she's fifteen, this young spitfire can't take any more of his unwanted groping. With seventy-four bucks in her pocket, she packs her things and buys the bus ticket that will change her life. She meets Rick at the bus stop - a handsome young thug who's a few days removed from his last bath. He's charming and sympathetic, so she buys him a ticket and, on the ride to Baltimore, tells him that she's going to find her real father. But wouldn't it be better, Rick suggests, to greet Daddy in style? Of course, a mink coat would cost a little money, but Rick knows just where to get it. His plan is daring, foolish, and highly dangerous. What teenage runaway could resist?
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One man sells his soul to save an innocent - who turns out not to be so innocent after all. Graham meets Sonya outside of his real estate office. She is sixteen, beautiful, and showing just the right amount of leg. He's ruminating on those legs when she drops the bombshell - she's there because Graham's brother, Burl, raped her, leaving her frightened, pregnant, and very much alone. She was spending the night with a friend when two boys and a case of beer turned a quiet evening into a hellish orgy. All she wants is the §1,111 it will cost to spend the next few months in a convalescent home, then give the baby up for adoption, but Burl won't give her the money. Sonya's vengeful father, meanwhile, wants far more money from Burl, to pay for harming his daughter. Graham offers Sonya a better choice: He'll marry her so that she can get a legal abortion. This moment of twisted generosity will change his life forever - but he has no idea that, as he asks for Sonya's hand, he is signing away his soul.
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The 21st century promises to be an "Age of Mobility." More people around the globe, from an ever greater variety of backgrounds, are migrating. As Europe and North America absorb larger and more diverse inflows, many policymakers, commentators, and academics are questioning whether their societies can cope with the influx. Citizenship has emerged as one of the key policy battlegrounds for such concerns. Citizenship lies at the nexus of a host of social policy issues because it provides definitions of identity, belonging, and participation in key aspects of society, including the right to vote. Governments recognize the urgent need to understand citizenship better. Once a narrow, somewhat static legal backwater, citizenship has become a dynamic policy vehicle for promoting the political incorporation of immigrants and, by extension, their more complete integration. This book is the first major product of the Transatlantic Council on Migration. It offers insights into key aspects of the citizenship debate from a policy perspective. It is a result of the deliberations and thinking of the Transatlantic Council on Migration, which brings together leading political figures, policymakers and innovative thinkers from the USA and Europe. The Council is a new initiative of the Migration Policy Institute (MPI) in Washington, DC. The Bertelsmann Stiftung and the European Policy Centre (in cooperation with the King Baudouin Foundation) are the Council's policy partners.
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Toby and his brother team up to protect a magician from disappearing for good. In the six years since he lost his job working security at the Warner Brothers' lot, private investigator Toby Peters has taken cases from oddballs ranging from Peter Lorre to W. C. Fields. But none of them had the stage presence of Harry Blackstone, the greatest magician in the world. When an anonymous rival demands the illusionist reveal his secrets on stage or suffer the consequences, Blackstone hires Toby and his brother, ex-cop Phil, to run security at the show. What starts as a simple protection job turns dicey when Toby finds himself onstage, with a possibly unsafe magic saw about to slice through his midsection. Bodies pile up around the act, and the two detectives begin to think that the killer isn't a jealous member of the Los Angeles Friends of Magic, but rather the great magician himself. About the Author. Stuart M. Kaminsky (1934-2009) was one of the most prolific crime fiction authors of the last four decades. Born in Chicago, he spent his youth immersed in pulp fiction and classic cinema - two forms of popular entertainment which he would make his life's work. After college and a stint in the army, Kaminsky wrote film criticism and biographies of the great actors and directors of Hollywood's Golden Age. In 1977, when a planned biography of Charlton Heston fell through, Kaminsky wrote Bullet for a Star, his first Toby Peters novel, beginning a fiction career that would last the rest of his life. Kaminsky penned twenty-four novels starring the detective, whom he described as "the anti-Philip Marlowe." In 1981's Death of a Dissident, Kaminsky debuted Moscow police detective Porfiry Rostnikov, whose stories were praised for their accurate depiction of Soviet life. His other two series starred Abe Lieberman, a hardened Chicago cop, and Lew Fonseca, a process server. In all, Kaminsky wrote more than sixty novels. He died in St. Louis in 2009. Review quote. "Kaminsky stands out as a subtle historian, unobtrusively but entertainingly weaving into the story itself what people were wearing, eating, driving, and listening to on the radio. A page-turning romp." - Booklist. "If you like your mysteries Sam Spade tough, with tongue-in-cheek and a touch of the theatrical, then the Toby Peters series is just your ticket." - Houston Chronicle. "For anyone with a taste for old Hollywood B-movie mysteries, Edgar winner Kaminsky offers plenty of nostalgic fun . . . The tone is light, the pace brisk, the tongue firmly in cheek." - Publishers Weekly. "Marvelously entertaining." - Newsday. "Makes the totally wacky possible . . . Peters [is] an unblemished delight." - Washington Post. "The Ed McBain of Mother Russia." - Kirkus Reviews.
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This is the annotated edition including a rare biographical essay on the life and works of the author. In "The Woodlanders" we have the intimate sense of the mystery and the passion of nature; again we have the wonderful power of describing rural characters; again we have the closely knit and powerful action; we even have glimpses of the old humor. Still there is an indefinable something that separates the author of "The Woodlanders" from the author of "Far from the Madding Crowd." Twelve years have made Mr. Hardy a more practised writer, they have given him a wider experience, but they have not made him any more in love with life. On the contrary, as has been indicated, they have frequently made him see little in life except a purposeless struggle in the coils of an implacable fate. And so Giles Winterbourne in "The Woodlanders" fails in the pursuit of his love, which is his life, when Farmer Oak, in "Far from the Madding Crowd" succeeds. Honesty, loyalty, and love meet death for their reward; while a barely decent repentance on the part of a rather repulsive personage is rewarded by the love of a heroine who though scarcely noble is worthy of a better fate. It, therefore, matters little when we view "The Woodlanders" as a whole, whether the descriptions of the forests to be found in its pages are unexcelled in truth and beauty even by Mr. Hardy himself, or whether the scene which describes Marty South dressing the grave of Winterbourne is the finest in the whole range of our author's novels; for the total impression produced by the book is painful because the fate that rules its characters is to Mr. Hardy, as well as to his readers, the relentless fate of alien times and peoples. And yet how powerful and original the book is, and who else among modern Englishmen could have written it!
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Father Stafford is veritably a tragic tale, albeit it appears that he has seen fit to give it more the setting of a comi-tragedy. But when the heart of a noble, maguanimous character, like that of Father Stafford, is involved in a serious love affair, with no future but that of blighted hopes and disappointment, one feels like looking upon such scenes with a solemn, thoughtful mien , yet one must smile occasionally, for Anthony Hope has the knack of applying the most sparkling and humorous of dialogues exactly at the right moment, thus saving his dramatic and tragical scenes from going utterly to pieces. However, this is Anthony Hope over and over again. We recognized him as the prince of dialogue in " The Prisoner of Zenda," and although the story of " Father Stafford " is of entirely different aspect, the " speaking parts" are just as delicious. Father Stafford is an Anglican clergyman, and a man of remarkable talents, yet his inclinations would probably have been better directed had he turned them toward affairs of the world. As it is, a good, well-meaning man, who has bound himself to prayers, self-abnegation, and the Church, also taking the vow of celibacy, discovers too late that the flesh of mankind is weak, and that love is king of all emotions. His life is one of peacefulness until he meets Lady Claudia Territon at the English houseparty where the story is cast, when life for the " pope," as she charmingly dubs him, begins to drift into other spheres, different from the altitude of the religious devotee, and extremely unfortunate for the young minister, whose duty it is to walk in the ways of the righteous ...
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The very warm cover suggests a seasonable book, A Righte Merrie Christmasse, by John Ashton, who, fancying that some of its customs and privileges might be forgotten, collects all that has been done or could be done at this annual event. Some of ye anciente goinges on make one wonder whether feasts were better kept when they spelt with such unreasonable euphony. It must have been " merrie in halle" when the wassail song was ordinarily sung as depicted by A. C Behrend in his exquisite copper etching.
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The writings of Miss Mcintosh, so deservedly extolled for their purity and tenderness of feeling, their excellent moral, simply and unrestramedly developed, that we have much satisfaction iu welcoming the " Christmas Guest;" and we feel convinced that few will arise from tbe perusal of this little book, full of incident, adventure, and character, without being wiser, happier, and better.
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