Mary Shelley's 'Frankenstein' is a groundbreaking work of Gothic fiction that examines themes of ambition, scientific ethics, and the consequences of playing god. Written in an epistolary style, the novel weaves together multiple narratives to create a complex and thought-provoking story that challenges societal norms and expectations. Set in the Romantic period, 'Frankenstein' reflects the anxieties surrounding technological advancements and the potential dangers of unchecked scientific experimentation. Shelley's vivid descriptions and intricate character development make the novel a timeless classic in the literary canon. Mary Shelley, inspired by a haunted summer in Switzerland, penned 'Frankenstein' at the young age of 18. As the daughter of famed writers Mary Wollstonecraft and William Godwin, Shelley was no stranger to intellectual pursuits and philosophical debates. Her personal experiences with loss and tragedy heavily influenced the themes present in 'Frankenstein', adding depth and emotion to the narrative. I highly recommend 'Frankenstein' to readers interested in exploring deep moral dilemmas, the limits of human ambition, and the consequences of overreaching scientific endeavors. Mary Shelley's masterpiece continues to captivate audiences with its complex characters and timeless themes.
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'Wuthering Heights & Jane Eyre' captures the profound intensity of romantic and gothic storytelling through the lauded works of Emily and Charlotte Brontë. This anthology juxtaposes the raw emotional energy of 'Wuthering Heights' with the complex moral and psychological depths of 'Jane Eyre', providing an unparalleled look into the revolutionary female perspectives that these novels embody. The collection highlights the diversity in narrative style and thematic execution, demonstrating a shared but distinct confrontation with societal norms, nature's tempestuous elements, and the inner tumult of their characters. The sheer power and innovative approach in these texts mark them as landmark works in the canon of English literature. The Brontë sisters, hailing from the secluded parsonage of Haworth in Yorkshire, brought forth these novels against the backdrop of their constrained Victorian environments. Both works resonate with themes of isolation, resistance against tyranny, and the quest for freedom through starkly different plots and protagonists. Distinct yet harmonious, these narratives reflect the era's burgeoning feminist ideologies and the dawning awareness of personal autonomy, illustrating the sisters' subtle critique of the place and expectations of women in their time. For enthusiasts of classic literature and first-time readers alike, this anthology offers a rare simultaneous exploration of two masterpieces by the Brontës. Delving into this collection promises not only a deepened appreciation of 19th-century literature but also an engaging examination of themes like love, morality, and rebellion against societal constraints. 'Wuthering Heights & Jane Eyre' serves as a vital literary conduit, through which the harmonized yet distinct voices of the Brontë sisters continue to resonate, educating and inspiring generations of readers.
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Gracias al encuentro entre escritoras de distintas generaciones, se recuperan aquí veinte voces de distintos países de Latinoamérica que habían sido desplazadas por el canon literario. En palabras de Jorge Volpi, esta antología "surge para cuestionar la convicción de que conocemos los grandes cuentos del siglo XX". Esta antología se integra en Colección Vindictas, que abre la lente a una mirada plural, puesta en retrospectiva para recuperar grandes novelas escritas por mujeres que habían quedado fuera del alcance de las lectoras y los lectores a pesar de su relevancia literaria y de una vigencia asombrosa. Una nueva lectura, más empática e incluyente a estas obras, no sólo nos permitirá reivindicar el mérito de sus autoras, sino compensar nuestra deuda con la literatura escrita por mujeres.
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The Ultimate Horror Collection is a fully-indexed collection of over 60 classic horror stories. Included here are stories by H.P. Lovecraft; Edgar Allan Poe; M.R. James; Oscar Wilde; Joseph Le Fanu; Bram Stoker; Mary Shelley; Robert Louis Stevenson; and Henry James. Contents: Oscar Wilde THE PICTURE OF DORIAN GRAY Joseph Sheridan Le Fanu CARMILLA Mary Shelley FRANKENSTEIN Robert Louis Stevenson THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE Henry James THE TURN OF THE SCREW Bram Stoker DRACULA H.P. Lovecraft THE COLOUR OUT OF SPACE THE DUNWICH HORROR THE WHISPERER IN DARKNESS THE HAUNTER OF THE DARK THE CALL OF CTHULHU THE RATS IN THE WALLS FROM BEYOND DAGON AT THE MOUNTAINS OF MADNESS IN THE VAULT THE SHADOW OVER INNSMOUTH THE DREAMS IN THE WITCH HOUSE M. R. James CANON ALBERIC'S SCRAP-BOOK LOST HEARTS THE MEZZOTINT THE ASH-TREE NUMBER 13 CASTING THE RUNES COUNT MAGNUS "OH, WHISTLE, AND I'LL COME TO YOU, MY LAD" A WARNING TO THE CURIOUS A VIEW FROM A HILL A NEIGHBOUR'S LANDMARK THE UNCOMMON PRAYER-BOOK WAILING WELL THE FENSTANTON WITCH Edgar Allan Poe A DESCENT INTO THE MAELSTROM A TALE OF JERUSALEM A TALE OF THE RAGGED MOUNTAINS ELEONORA THE BLACK CAT THE CASK OF AMONTILLADO THE FALL OF THE HOUSE OF USHER THE GOLD BUG HOP-FROG THE MASQUE OF THE RED DEATH THE MURDERS IN THE RUE MORGUE THE MYSTERY OF MARIE ROGET THE OBLONG BOX THE OVAL PORTRAIT THE PIT AND THE PENDULUM THE PURLOINED LETTER THE TELL—TALE HEART THE RAVEN TO HELEN EULALIE A DREAM WITHIN A DREAM ANNABEL LEE THE HAUNTED PALACE ALONE DREAM LAND ELDORADO THE CITY IN THE SEA THE BELLS A VALENTINE A SONNET TO SCIENCE
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This book proposes a renewed myth-critical approach to the so-called 'wasteland modernism' of the 1920s to reassess certain key texts of the American modernist canon from a critical prism that offers new perspectives of analysis and interpretation. Myth-criticism and, more specifically, the critical survey of myth as an aesthetic and ideological strategy fundamental for the comprehension of modernist literature, leads to an engaging discussion about the disenchantment of myth in modernist literary texts. This process of mythical disenchantment, inextricable from the cultural and historical circumstances that define the modernist zeitgeist, offers a possibility for revising from a contemporary standpoint a set of classic texts that are crucial to our understanding of the modern literary tradition in the United States. This study carries out an exhaustive and updated myth-critical examination of works by T.S. Eliot, John Dos Passos, F. Scott Fitzgerald, Ernest Hemingway, John Steinbeck and Djuna Barnes to broaden the scope of familiar themes and archetypes, enclosing the textual analysis of these works in a wider exploration about the purpose and functioning of myth in literature, particularly in times of crisis and transformation.
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The early Church Orders were systematic manuals of disciplinary and liturgical rules for which the collective authority of the whole apostolate was claimed. They made their appearance in the second century, grew to considerable dimensions in the third, and reached their fullest development toward the end of the fourth century. They are sources of importance for our knowledge of the inner life of the church, and they were influential factors in the formation of the later canon law.
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"De la Terre à la Lune est un roman de science-fiction écrit par Jules Verne et publié en 1865. L'histoire se déroule à une époque où la conquête spatiale n'était encore qu'un rêve lointain. Le récit nous emmène dans un voyage extraordinaire, où un groupe d'hommes passionnés par l'astronomie décide de construire un gigantesque canon pour envoyer un projectile jusqu'à la Lune.Ce roman captivant nous plonge dans l'univers de l'exploration spatiale, bien avant que cela ne devienne une réalité. Jules Verne y dépeint avec précision les défis techniques et les enjeux humains liés à un tel projet, tout en nous offrant une vision visionnaire de ce que pourrait être l'exploration de l'espace.A travers ce récit, l'auteur nous invite à rêver et à nous interroger sur les limites de la science et de la technologie. De la Terre à la Lune est un classique de la littérature de science-fiction, qui continue à fasciner les lecteurs par sa vision audacieuse et son imagination débordante. <br>Extrait : ""Pendant la guerre fédérale des Etats-Unis, un nouveau club très influent s'établit dans la ville de Baltimore, en plein Maryland. On sait avec quelle énergie l'instinct militaire se développa chez ce peuple d'armateurs, de marchands et de mécaniciens.""" <br>
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El libro más celebrado de Serguéi Dovlátov se recrea en el escaso contenido de la maleta que lo acompañó en su exilio.Cada uno de los inútiles objetos que constituyeron su único patrimonio nos conduce a un lugar memorable de su biografía. Mago del estilo, Dovlátov entrega aquí lo más parecido a un canon de su escritura. Preciso, despojado e irónico, el resultado es un recorrido personalísimo por algunos avatares de su vida, tanto como un índice tragicómico del tejido espiritual, social y político de la URSS. La engañosa liviandad de su prosa, su disposición para reírse de sí mismo y su extraordinaria capacidad para el retrato humano han convertido a Serguéi Dovlátov en uno de los grandes maestros de las letras rusas de la segunda mitad del siglo xx. «Dovlátov no solo es el escritor más popular del último cuarto de siglo en Rusia, también es el autor de algunas de las mejores páginas que ha dado el siglo XX». —The Guardian «Tu voz es profundamente auténtica y universal. Tenemos suerte de tenerte con nosotros. Tienes grandes dones que ofrecer a este loco país». —Kurt Vonnegut «Sus relatos y novelas están teñidos de un escepticismo irónico en el que emerge la absurdidad humorística de la vida, y de un estoico acatamiento de esa fuerza ajena llamada destino». —Marta Rebón, El País Tu voz es profundamente auténtica y universal. Tenemos suerte de tenerte con nosotros. Tienes grandes dones que ofrecer a este loco país. Kurt Vonnegut Sus relatos y novelas están teñidos de un escepticismo irónico en el que emerge la absurdidad humorística de la vida, y de un estoico acatamiento de esa fuerza ajena llamada destino. Marta Rebón, El País
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