Our handling of what we call biblical law veers between controversy and neglect. On the one hand, controversy arises when Old Testament laws seem either odd beyond comprehension (not eating lobster) or positively reprehensible (executing children). On the other, neglect results when we consider the law obsolete, no longer carrying any normative power (tassels on clothing, making sacrifices). Even readers who do attempt to make use of the Old Testament "law" often find it either irrelevant, hopelessly laden with "thou shalt nots," or simply so confusing that they throw up their hands in despair. Despite these extremes, people continue to propose moral principles from these laws as "the biblical view" and to garner proof texts to resolve issues that arise in society. The result is that both Christians and skeptics regularly abuse the Torah, and its true message often lies unheard. Walton and Walton offer in The Lost World of the Torah a restorative vision of the ancient genre of instruction for wisdom that makes up a significant portion of the Old Testament. In the ancient Near East, order was achieved through the wisdom of those who governed society. The objective of torah was to teach the Israelites to be wise about the kind of order needed to receive the blessings of God's favor and presence within the context of the covenant. Here readers will find fresh insight on this fundamental genre of the Old Testament canon. The books in the Lost World Series follow the pattern set by Bible scholar John H. Walton, bringing a fresh, close reading of the Hebrew text and knowledge of ancient Near Eastern literature to an accessible discussion of the biblical topic at hand using a series of logic-based propositions.
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Imagine someone who has spent a lifetime listening deeply and attentively to the full range of Scripture's testimony. Stepping back, they now describe what they have seen and heard. What emerges is a theological cathedral, laid out on the great vectors of Scripture and fitted with biblically sourced materials.This is what John Goldingay has done. Well known for his three-volume Old Testament Theology, he has now risen to the challenge of a biblical theology. While taking the New Testament as a portal into the biblical canon, he seeks to preserve the distinct voices of Israel's Scriptures, accepting even its irregular and sinewed pieces as features rather than problems. Goldingay does not search out a thematic core or overarching unity, but allows Scripture's diversity and tensions to remain as manifold witnesses to the ways of God. While many interpreters interrogate Scripture under the harsh lights of late-modern questions, Goldingay engages in a dialogue keen on letting Scripture speak to us in its own voice. Throughout he asks, "What understanding of God and the world and life emerges from these two testaments?"Goldingay's Biblical Theology is a landmark achievement—hermeneutically dexterous, biblically expansive, and nourishing to mind, soul and proclamation.
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Ursula Owen has been a significant figure in the worlds of literature and free expression since the 1970s. A founding director of Virago Press in 1974, later becoming Joint Managing Director, she worked with a committed teams as the company rapidly developed an international reputation, rediscovering and repositioning women writers and, over two decades, transforming both the literary canon and the contemporary publishing world. During the 1990s, Owen became a director of the Paul Hamlyn Fund, Cultural Policy Advisor to the Labour Party and Chief Executive of Index on Censorship. Yet behind these and other signal achievements lies the story of a refugee, a child who fled the Nazis, was educated at Putney High School, went up to Oxford, trained as a researcher in social services, travelled extensively, marrying, becoming a mother, and eventually separating. In this frank and compelling memoir, we discover an extraordinary life where culture prevails against the tumultuous conflicts of the twentieth-century, as well as the twenty-first.
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Who am I - and how do I follow my own path? Being trans does not mean becoming someone else. It means no longer denying who you are. This handbook is aimed at transgender people and their companions who are looking for more than simple answers or ready-made transition plans. Dead Dance understands being transgender not as a checklist of measures, but as a personal path of development that connects body, identity, relationships, and social reality. The guide offers orientation in complex questions. The book combines factual information with reflective depth. It explains medical, legal, and psychological contexts in an understandable way, identifies social power structures, and shows why doubts, breaks, and detours are not signs of failure, but often necessary steps toward self-determination. "Dead Dance - The Trans-Bible" encourages readers to take their own path seriously - even if it is not straightforward. It strengthens the ability to recognise external attributions, make conscious decisions and distinguish between external expectations and inner truth. Transition is not understood as an obligation, but as a possible process that can be individual, vary in speed and take very different forms. This book is not a recipe, but a companion. Not a benchmark, but an invitation to self-clarification. And: if baptism applies to people and not chromosomes, then for the Catholic Church, more is at stake with regard to transsexuality than a single doctrine - the credibility of the Church itself is being put to the test. Dead Dance combines trans theology, sacramental theology, canon law, and criticism of power. At least one of the central pillars of the Church's self-interpretation must fall and be rethought. Do the Dead Dance - Don't be dead.
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Shirley: A Tale is a richly textured and socially engaged novel by Charlotte Brontë that explores love, independence, and community against the backdrop of industrial unrest in early nineteenth-century England. First published in 1849, the novel departs from the intensely personal focus of Jane Eyre to offer a broader portrait of society, class, and economic change. Set in Yorkshire during the Luddite uprisings, the story centers on two contrasting yet deeply connected women: Caroline Helstone, gentle, self-effacing, and quietly longing for purpose, and Shirley Keeldar, spirited, wealthy, and fiercely independent. Through their intertwined lives, Brontë examines the limited roles available to women, the pressures of marriage, and the search for meaningful work and emotional fulfillment. The novel also weaves in themes of industrial conflict, religious tension, and social responsibility, portraying the impact of economic hardship on both workers and factory owners. At the heart of the story is a nuanced exploration of friendship, love, and the strength women find in solidarity with one another. Thoughtful, compassionate, and socially aware, Shirley: A Tale is an important work in Brontë's canon. It offers readers a vivid depiction of a changing society while celebrating female resilience, moral courage, and the enduring power of human connection.
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SIMONE WEIL (1909-1943) suscitó en vida tanta admiración como feroces antipatías, y después de muerta empezó a ser leída y estudiada con fascinación por un público cada vez más numeroso. Escritora y polemista ecléctica e incansable, crítica ferviente del estalinismo desde la izquierda, dispuesta a experimentar en primera persona el trabajo en la fábrica e incluso la realidad del frente en la Guerra Civil española, participante activa en la resistencia francesa desde el exilio... hasta su muerte con apenas treinta y cuatro años, en plena Segunda Guerra Mundial. En estas páginas, Michela Nacci nos guía por las fases cruciales de la vida y del pensamiento de Simone Weil y desgrana las claves del complejo y cambiante ideario social y político de una intelectual sin parangón en la turbulenta primera mitad del siglo XX, y a la que se ha definido de todas las formas posibles, desde revolucionaria y feminista sans le dire hasta paladín antimoderna y mística religiosa. La colección MUJERES Y PENSAMIENTO POLÍTICO ofrece una serie de estudios dedicados a pensadoras y teóricas de la política, fruto de recientes investigaciones confiadas a estudiosas y estudiosos de la disciplina, con el objetivo de paliar la falta de reconocimiento femenino en el canon del pensamiento político contemporáneo.
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Embark on a pilgrimage through the great cathedrals of the world. Gernot Candolini and Jennifer Brandon invite readers to experience some of the exemplary cathedrals of Europe and North America, with beautiful images and poetic, descriptive texts that inspire and inform. They offer glimpses into the spiritual, visionary, and artistic beauty and mastery of these spaces, inspired by God and built by human hands. Read the powerful stories connected to these sacred spaces: like the reconciliation crusade of Vezelay, the destruction of Cluny, and the origins of Sagrada Familia. Explore the architectural and artistic elements that make these churches what they are: the power of light, the "smiling stones," the crypt, the music, and more. "Cathedrals magnetize one's spiritual compass. Places of Light opens the historic portals of twenty cathedrals for a broader understanding and deeper appreciation of the numerous, nameless and bold visionaries who dared to express in glass and stone messages for the human spirit." —The Reverend Dr. Lauren Artress, Honorary Canon of Grace Cathedral; author of Walking a Sacred Path
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Given the popular-level conversations on phenomena like the Gospel of Thomas and Bart Ehrman's Misquoting Jesus, as well as the current gap in evangelical scholarship on the origins of the New Testament, Michael Kruger's Canon Revisited meets a significant need for an up-to-date work on canon by addressing recent developments in the field. He presents an academically rigorous yet accessible study of the New Testament canon that looks deeper than the traditional surveys of councils and creeds, mining the text itself for direction in understanding what the original authors and audiences believed the canon to be. Canon Revisited provides an evangelical introduction to the New Testament canon that can be used in seminary and college classrooms, and read by pastors and educated lay leaders alike. In contrast to the prior volumes on canon, this volume distinguishes itself by placing a substantial focus on the theology of canon as the context within which the historical evidence is evaluated and assessed. Rather than simply discussing the history of canon—rehashing the Patristic data yet again—Kruger develops a strong theological framework for affirming and authenticating the canon as authoritative. In effect, this work successfully unites both the theology and the historical development of the canon, ultimately serving as a practical defense for the authority of the New Testament books.
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