<b>Une romance multiculturelle, sensible et bouleversante, entre deux âmes cabossées qui apprennent à s’aimer malgré tout.</b> <br> <br> <p><b>Elle ne croit plus en l’amour. Lui n’ose plus y croire. Une rencontre arrangée va tout changer…</b></p> <br> <p>Lia, discrète et solitaire, a appris à vivre avec ses blessures. Tay, intense et à fleur de peau, masque ses failles derrière un regard grave. Lorsqu’ils se rencontrent à une fête familiale, une alchimie immédiate naît. Mais l’attirance ne suffit pas toujours. Entre secrets, traumatismes et malentendus, leur histoire prend des allures de montagne russe.</p> <p>Peuvent-ils vraiment s’aimer sans se briser ? Et si leur passé les empêchait de se construire un avenir ?</p> <ul> <b>Une romance contemporaine multiculturelle</b> sur fond de reconstruction émotionnelle <li><b>Un duo attachant</b> qui lutte contre ses propres démons pour vivre pleinement</li> </ul> <br> <p><b>Laissez-vous porter par cette romance sincère, rythmée par les non-dits, les retrouvailles, les pas de danse et les silences pleins de sens. Une histoire touchante et lumineuse sur la confiance, la guérison, et l’amour qui vient sans prévenir.</b></p> <br> <ul> <li><b>EXTRAIT<br><br> Tay lui demande de passer devant, il la suit. Ils regardent les autres danser, quand El Amante de Nicky Jam commence. Folle de joie, elle lui demande de lui accorder cette danse. Il refuse, elle insiste, et fait une petite moue qui le fait changer d’avis.<br> Il ne danse jamais et tout le monde s’étonne de le voir sur la piste, aussi bien, que de bouche à oreille, tout le monde veut assister à ce qu’ils considèrent comme un véritable miracle, puis ils lancent en cœur un « ooooooouh » pour les taquiner. <br> Tay est gêné et Lia sourit.<br> — Ignore-les, lui dit-il. <br> Les autres finissent par se disperser.<br> Tay et Lia dansent. Au fil de la chanson, ils se rapprochent. Elle se met à chanter, faux, fort. La situation fait rire Tay.<br> À la fin de la chanson, Lia demande s’il veut voir un truc sympa, il sourit. Elle lui prend volontairement la main. Le visage de Tay se ferme, il y va sans un mot.<br> Arrivés à l’arrière de la maison, Lia lâche sa main et lève ses mains vers le ciel.<br> — Alors, comment tu trouves cette vue ?<br> Tay rigole et la regarde.<br> — La vue est canon… Comment tu as connu cet endroit ?<br> — Hum, un garçon me l’a fait découvrir…<br> Tay sourit, baisse légèrement la tête et la regarde avec un œil plissé.<br> — Un garçon ? Vraiment ?<br> Lia intensifie sa voix et lui fait oui de la tête.<br> — … Un garçon !<br> Elle fuit son regard un moment, prend une grande inspiration et le regarde à nouveau. <br> — Merci de m’avoir accordé cette danse.<br><br> À PROPOS DE L'AUTEUR<br><br> ...
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Aeschylus' The Oresteia Trilogy is a classic example of ancient Greek tragedy, exploring themes of justice, revenge, and the balance between chaos and order. The trilogy consists of three plays: Agamemnon, The Libation Bearers, and The Eumenides, each showcasing Aeschylus' masterful use of dramatic tension and poetic language. The intense emotional depth of the characters and the intricate plot development make the Oresteia Trilogy a timeless piece of literature, still relevant in today's world. Aeschylus' incorporation of mythical elements and ethical dilemmas adds layers of complexity to the narrative, revealing his profound understanding of human nature and societal norms. The trilogy is a must-read for anyone interested in ancient Greek literature, philosophy, or drama, as it serves as a foundational work in the Western literary canon. Aeschylus' exploration of morality, fate, and the consequences of human actions will leave readers contemplating the nature of justice and the complexities of the human experience.
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En el prólogo a la edición de Las Palabras y El Tiempo, publicado por Malpaís en 2018, Diana del Ángel y Alejandro Palma atribuyen esta característica a que "Foppa es contemporánea de una idea predominantemente 'esteticista' de la poesía donde el discurso es aquel que mira el acto poético como un aspecto artístico desprovisto de lo humano y sobre todo [de] lo cotidiano". Si bien la poesía de Foppa se mantiene al margen de la política y el feminismo, sólo por el hecho de enunciar desde la poesía la experiencia de ser mujer, sus poemas están aliados a la causa pues vuelven visible una perspectiva que durante siglos se mantuvo casi por completo excluida del canon literario. En una época en la que el papel asignado a la mujer era monocromático y marginal, escribir desde ese margen y colocarlo en el centro del discurso constituía un acto revolucionario.
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In 'The Complete Poetical Works of James Joyce', readers are immersed in a collection of poetry that showcases Joyce's unique literary style, characterized by intricate wordplay, vivid imagery, and complex themes. Drawing inspiration from both classical poetry and modernist techniques, the poems explore themes of love, loss, identity, and the human experience. Joyce's exploration of language and form in his poetry reflects his innovative approach to literature, making this collection a valuable contribution to the literary canon. The book also includes insightful annotations that provide readers with a deeper understanding of Joyce's poetic creations. James Joyce, a renowned Irish author known for his groundbreaking novel 'Ulysses', demonstrates his versatility and mastery of language in this poetry collection. Joyce's personal experiences, cultural background, and literary influences all inform his poetic work, enriching the reader's experience and inviting deeper exploration into his creative mind. His ability to blend traditional poetic forms with modernist experimentation sets him apart as a visionary poet of his time. For readers who appreciate sophisticated poetry that challenges conventions and pushes boundaries, 'The Complete Poetical Works of James Joyce' is a must-read. Engaging, thought-provoking, and meticulously crafted, this collection offers a profound glimpse into the mind of one of the most influential literary figures of the 20th century.
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<h2> Das Kamerahandbuch für alle Umsteiger*innen </h2> <ul> <li>genaue Anleitung für den Praxiseinsatz</li> <li>beschreibt neue Features zu u.a. Belichtung und Autofokus</li> <li>mit Video-Kapitel</li> </ul> <p> Dies ist das Handbuch für alle Fotograf*innen, die auf Canons EOS R5 wechseln. Canon-Profi Martin Schwabe macht Sie darin genau mit Funktionsweise, Einsatz und den neuen Funktionen der spiegellosen Kamera bekannt. Neben der individuellen Anpassung von Tasten, Menüs und Programmplätzen legt er ein besonderes Augenmerk auf die praktische Handhabung im fotografischen Alltag und die vielfältigen Einsatzmöglichkeiten des Autofokus (u.a. auf die Funktionen, die erst durch den Wegfall des Spiegels möglich wurden). Die leistungsfähigen Video-Funktionen beschreibt er in einem abschließenden Kapitel. </p>
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The Book of Revelation, The Apocalypse, is the closing book and the only prophetical book of the New Testament canon. The author of this book was undoubtedly John the apostle. His name occurs four times in the book itself (1:1, 4, 9; 22:8), and there is every reason to conclude that the "John" here mentioned was the apostle. In a manuscript of about the twelfth century he is called "John the divine," but no reason can be assigned for this appellation. The date of the writing of this book has generally been fixed at A.D. 96, in the reign of Domitian. There are some, however, who contend for an earlier date, A.D. 68 or 69, in the reign of Nero.
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This is the extended and annotated edition including * an extensive annotation of more than 5.000 words about the history and evolution of the book we call 'The Bible' 'The Didache' or 'The Teaching of the Twelve Apostles' is a brief early Christian treatise, dated by most scholars to the late first or early 2nd century. The first line of this treatise is "Teaching of the Lord to the Gentiles (or Nations) by the Twelve Apostles". The text, parts of which constitute the oldest surviving written catechism, has three main sections dealing with Christian ethics, rituals such as baptism and Eucharist, and Church organization. It is considered the first example of the genre of the Church Orders. The work was considered by some of the Church Fathers as part of the New Testament but rejected as spurious or non-canonical by others, eventually not accepted into the New Testament canon. The Ethiopian Orthodox Church "broader canon" includes the Didascalia, a work which draws on the Didache. (courtesy of wikipedia.com)
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The Sutta Nipata is a Buddhist scripture, a sutta collection in the Khuddaka Nikaya, part of the Pali Canon of Theravada Buddhism. All its suttas consist largely of verse, though some also contain some prose. It is divided into five sections: Uraga Vagga Cula Vagga Maha Vagga Atthaka Vagga Parayana Vagga Some scholars consider this the oldest of all Buddhist scriptures. Others agree that it contains much very early material.
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