Hebrew literature contains some of the most profound and most influential productions of the human spirit. It constitutes a potent factor in modern civilization, and possesses merits which place it far above most other literatures of the world. The common salutation of the Hebrew is "Peace," while that of the Greeks is "Grace," and that of the Romans, "Safety." The Greek sought after grace, or intellectual and bodily perfection, and the power of artistic accomplishment. The Roman's ideal was strength and security of life and property. The Hebrew sought after peace, peace in the heart, as founded on a sense of Jehovah's good providence, and a moral conformity in conduct to His revealed will. While the Greek in art, literature, and even in morals, made beauty his standard, the Roman stood for power, domination and law, and the Hebrew for religion. The Hebrew, indeed, introduced into Europe the first clear conception of religion, as implied in monotheism, and a rigidly defined moral law, founded upon the will of Jehovah. The basis of morals among the Latins was political, among the Greeks æsthetic, and among the Hebrews it was the revealed will of Jehovah. While the most important remains of Hebrew literature are comprised in the Scriptures known to us as the Bible, there exists also a voluminous mass of Hebrew writings which are not included in the sacred canon. These writings are of supreme importance and value, and the selections which we have made from them in the present volume give a good idea of their interest, beauty, and subtlety of thought.
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In 'The Complete Poetical Works of James Joyce', readers are immersed in a collection of poetry that showcases Joyce's unique literary style, characterized by intricate wordplay, vivid imagery, and complex themes. Drawing inspiration from both classical poetry and modernist techniques, the poems explore themes of love, loss, identity, and the human experience. Joyce's exploration of language and form in his poetry reflects his innovative approach to literature, making this collection a valuable contribution to the literary canon. The book also includes insightful annotations that provide readers with a deeper understanding of Joyce's poetic creations. James Joyce, a renowned Irish author known for his groundbreaking novel 'Ulysses', demonstrates his versatility and mastery of language in this poetry collection. Joyce's personal experiences, cultural background, and literary influences all inform his poetic work, enriching the reader's experience and inviting deeper exploration into his creative mind. His ability to blend traditional poetic forms with modernist experimentation sets him apart as a visionary poet of his time. For readers who appreciate sophisticated poetry that challenges conventions and pushes boundaries, 'The Complete Poetical Works of James Joyce' is a must-read. Engaging, thought-provoking, and meticulously crafted, this collection offers a profound glimpse into the mind of one of the most influential literary figures of the 20th century.
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In 'ANTONY & CLEOPATRA', editors and literary giants William Shakespeare and Sidney Lee present a compelling anthology that explores the depths of political intrigue and tragic romance. This collection draws on a diverse array of manuscripts and critical essays to offer a textured examination of one of Shakespeare's most enigmatic plays. Highlighting various literary styles from the early modern period, the anthology showcases the rich plurality of interpretations and scholarly debates that surround the work. Significantly, the collection elucidates how different contexts can influence the reading and understanding of the text, providing a broad spectrum of analytical perspectives. The contributing editors, each celebrated for their profound contributions to Shakespearean scholarship, bring a unique blend of historical, cultural, and literary insights. Sidney Lee, noted for his biographical works on Shakespeare, along with Shakespeare himself in a posthumous editorial role, provides an unrivaled depth of understanding about the Elizabethan era's theatrical nuances. Their collective expertise aligns with the current scholarly discourse about reinterpretation of canon works, making this anthology a critical nexus for studying the intersections of history, literature, and culture. This anthology is an indispensable resource for any scholar, student, or enthusiast eager to dive deep into the world of Shakespeare. 'ANTONY & CLEOPATRA' not only serves as an educational tool but also opens up a dialogue between the enduring texts and contemporary interpretations. Through this voluminous work, readers are invited to explore the multifaceted themes and stylistic approaches, fostering a richer appreciation of Shakespeare's craft and its lasting impact on literature and beyond. In this enriched edition, we have carefully created added value for your reading experience: - An Introduction draws the threads together, discussing why these diverse authors and texts belong in one collection. - Historical Context explores the cultural and intellectual currents that shaped these works, offering insight into the shared (or contrasting) eras that influenced each writer. - A combined Synopsis (Selection) briefly outlines the key plots or arguments of the included pieces, helping readers grasp the anthology's overall scope without giving away essential twists. - A collective Analysis highlights common themes, stylistic variations, and significant crossovers in tone and technique, tying together writers from different backgrounds. - Reflection questions encourage readers to compare the different voices and perspectives within the collection, fostering a richer understanding of the overarching conversation.
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This carefully crafted ebook: "John Keats - The Man Behind The Lyrics: Life, letters, and literary remains" is formatted for your eReader with a functional and detailed table of contents. John Keats (1795-1821) was an English Romantic poet. The poetry of Keats is characterized by sensual imagery, most notably in the series of odes. Today his poems and letters are some of the most popular and most analyzed in English literature. During the 19th century, critics deemed them unworthy of attention, distractions from his poetic works. During the 20th century they became almost as admired and studied as his poetry, and are highly regarded within the canon of English literary correspondence. T. S. Eliot described them as "certainly the most notable and most important ever written by any English poet." Keats spent a great deal of time considering poetry itself, its constructs and impacts, displaying a deep interest unusual amongst his milieu who were more easily distracted by metaphysics or politics, fashions or science. Table of Contents: Biographies: Life of John Keats by Sidney Colvin Life, letters, and literary remains, of John Ketas by Richard Monckton Milnes Complete Letters: To Messrs, Taylor and Hessey To Jane Reynolds To Charles Wentworth Dilke To Joseph Severn To John Taylor To Benjamin Robert Haydon To Benjamin Bailey To John Hamilton Reynolds To George and Thomas Keats To Fanny Keats To James Rice To Leigh Hunt To Richard Woodhouse To Thomas Keats To James Elmes To Mrs. Brawne To Charles Cowden Clarke To George and Georgiana Keats To Percy Bysshe Shelley To Mrs. Reynolds To Georgiana Keats To Mariane and Jane Reynolds To Mrs. Wylie To Charles Brown…
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The Mystery of Edwin Drood - Charles Dickens - The Mystery of Edwin Drood is the final novel by Charles Dickens,[1][2] originally published in 1870. Though the novel is named after the character Edwin Drood, it focuses more on Drood's uncle, John Jasper, a precentor, choirmaster and opium addict, who is lusting after his pupil, Rosa Bud. Miss Bud, Edwin Drood's fiancée, has also caught the eye of the high-spirited and hot-tempered Neville Landless. Landless and Edwin Drood take an instant dislike to each other. Later Drood disappears under mysterious circumstances. The story is set in Cloisterham, a lightly disguised Rochester. Upon the death of Dickens on 9 June 1870, the novel was left unfinished, only six of a planned twelve instalments having been published. He left no detailed plan for the remaining instalments or solution to the novel's mystery, and many later adaptations and continuations by other writers have attempted to complete the story. The novel begins as John Jasper leaves a London opium den. The next evening, Edwin Drood visits Jasper, who is the choirmaster at Cloisterham Cathedral and also his uncle. Edwin confides that he has misgivings about his betrothal to Rosa Bud, which had been previously arranged by their respective fathers. The next day, Edwin visits Rosa at the Nuns' House, the boarding school where she lives. They quarrel good-naturedly, which they apparently do frequently during his visits. Meanwhile, Jasper, having an interest in the cathedral crypt, seeks the company of Durdles, a man who knows more about the crypt than anyone else. Neville Landless and his twin sister Helena are sent to Cloisterham for their education. Neville will study with the minor canon Rev. Crisparkle; Helena will live at the Nuns' House with Rosa. Neville confides to Rev. Crisparkle that he had hated his cruel stepfather, while Rosa confides to Helena that she loathes and fears her music-master, Jasper. Neville is immediately smitten with Rosa and is indignant that Edwin prizes his betrothal lightly. Edwin provokes him and he reacts violently, giving Jasper the opportunity to spread rumours about Neville's having a violent temper. Rev. Crisparkle tries to reconcile Edwin and Neville, who agrees to apologise to Edwin if the former will forgive him. It is arranged that they will dine together for this purpose on Christmas Eve at Jasper's home. Rosa's guardian, Mr. Grewgious, tells her that she has a substantial inheritance from her father. When she asks whether there would be any forfeiture if she did not marry Edwin, he replies that there would be none on either side. Back at his office in London, Mr. Grewgious gives Edwin a ring which Rosa's father had given to her mother, with the proviso that Edwin must either give the ring to Rosa as a sign of his irrevocable commitment to her or return it to Mr. Grewgious. Mr. Bazzard, Mr. Grewgious's clerk, witnesses this transaction.
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Richard III (Tragedy of King Richard the third) - William Shakespeare - Richard III is a play by William Shakespeare. It was probably written c. 1592–1594. It is labelled a history in the First Folio, and is usually considered one, but it is sometimes called a tragedy, as in the quarto edition. Richard III concludes Shakespeare's first tetralogy (also containing Henry VI, Part 1, Henry VI, Part 2, and Henry VI, Part 3) and depicts the Machiavellian rise to power and subsequent short reign of King Richard III of England. It is the second longest play in the Shakespearean canon and is the longest of the First Folio, whose version of Hamlet, otherwise the longest, is shorter than its quarto counterpart. The play is often abridged for brevity, and peripheral characters removed. In such cases, extra lines are often invented or added from elsewhere to establish the nature of the characters' relationships. A further reason for abridgment is that Shakespeare assumed his audiences' familiarity with his Henry VI plays, frequently referring to these plays. Richard is an ugly hunchback, "rudely stamp'd", "deformed, unfinish'd", cannot "strut before a wanton ambling nymph", and says he is "determined to prove a villain / And hate the idle pleasures of these days." Through a prophecy, that "G of Edward's heirs the murderer shall be", he has contrived to have his brother Clarence conducted to the Tower of London (the king interpreted the prophecy as George of Clarence). Speaking to Clarence en route, Richard blames the queen and says that he will himself try to help Clarence. Lady Anne attends the corpse of Henry VI with Trestle and Berkeley going from St Paul's Cathedral. She bids them set down the "honourable load" then laments. Richard appears, and Lady Anne says that "Henry's wounds [...] bleed afresh". He confesses the murder, and she spits at him. He offers himself to her sword, but she drops it. He offers to kill himself at her order, but she accepts his ring. Richard exults at having won her over so and tells the audience that he will discard her once she has served his purpose. The atmosphere at court is poisonous. The established nobles are at odds with the upwardly mobile relatives of Queen Elizabeth, a hostility fueled by Richard's machinations. Queen Margaret, Henry VI's widow, returns, though banished, and she warns the squabbling nobles about Richard, cursing extensively. The nobles, all Yorkists, unite against this last Lancastrian and ignore the warnings. Richard orders two murderers to kill Clarence in the tower. Clarence relates a distressing dream to his keeper before going to sleep. The murderers arrive with a warrant, and the keeper relinquishes his office. While the murderers are pondering what to do, Clarence wakes. He recognises their purpose and pleads with them. Presuming that Edward has offered them payment, he tells them to go to Gloucester, who will reward them better for having kept him alive. One of the murderer...
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A través de los diecisiete perfiles que componen este libro se percibe la presencia espectral de uno de los mitos fundacionales de la literatura chilena: la maulinidad. Este compendio de vidas y obras, que van desde autores reconocidísimos a figuras destinadas al fondo de un baúl rural, nos permite enfrentarnos a una buena parte del canon de la literatura hecha desde el Maule. "Contra el olvido», como bien lo dice su título, es una buena posibilidad de releer, pero por sobre todo de descubrir figuras borroneadas por la historia.
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Envoyer un projectile vers la Lune ? Telle était la drôle d’idée d’Impey Barbicane, président du Gun-Club de Baltimore, qui risquait de fermer ses portes avec la fin de la guerre fédérale des États-Unis. Une campagne à échelle mondiale se met alors en place pour la construction du gigantesque canon qui accomplirait l’exploit. Mais c’était sans compter sur Michel Ardan ! Ce Parisien excentrique propose de remplacer le boulet par un obus et de s’installer à l’intérieur, afin de réaliser le tout premier voyage humain vers l’astre des nuits. <br> <br>À PROPOS DE L'AUTEUR <br> <br>Dans une anticipation pleine d’audace, cent ans avant le départ de l’équipage d’Apollo 11 vers la Lune, l’esprit pionnier de <b>Jules Verne</b> ouvrait les portes de ce voyage extraordinaire qui inspire l’imagination et la science depuis des siècles.
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