Gracias al encuentro entre escritoras de distintas generaciones, se recuperan aquí veinte voces de distintos países de Latinoamérica que habían sido desplazadas por el canon literario. En palabras de Jorge Volpi, esta antología "surge para cuestionar la convicción de que conocemos los grandes cuentos del siglo XX". Esta antología se integra en Colección Vindictas, que abre la lente a una mirada plural, puesta en retrospectiva para recuperar grandes novelas escritas por mujeres que habían quedado fuera del alcance de las lectoras y los lectores a pesar de su relevancia literaria y de una vigencia asombrosa. Una nueva lectura, más empática e incluyente a estas obras, no sólo nos permitirá reivindicar el mérito de sus autoras, sino compensar nuestra deuda con la literatura escrita por mujeres.
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Las once historias que integran Guía de pasos perdidos indagan sin complacencia en las múltiples formas de aislamiento que determinan nuestros encuentros sociales. Ya sea de forma impuesta o voluntaria, en acontecimientos cotidianos o hechos en apariencia minúsculos, la soledad encarna sin remedio en el ánimo de sus protagonistas, seres extraviados que, «entre la orgía y la ascesis», han aprendido a sobrevivir al naufragio de sus querencias y anhelos. En su primera colección de cuentos, con genuino lirismo y un singular estilo emancipado del canon imperante, Vela reclama el vértigo de la literatura para tomar el pulso de la emoción humana y situarnos ante el espejo de nuestras vidas sin que podamos apartar la mirada.
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The Ultimate Horror Collection is a fully-indexed collection of over 60 classic horror stories. Included here are stories by H.P. Lovecraft; Edgar Allan Poe; M.R. James; Oscar Wilde; Joseph Le Fanu; Bram Stoker; Mary Shelley; Robert Louis Stevenson; and Henry James. Contents: Oscar Wilde THE PICTURE OF DORIAN GRAY Joseph Sheridan Le Fanu CARMILLA Mary Shelley FRANKENSTEIN Robert Louis Stevenson THE STRANGE CASE OF DR. JEKYLL AND MR. HYDE Henry James THE TURN OF THE SCREW Bram Stoker DRACULA H.P. Lovecraft THE COLOUR OUT OF SPACE THE DUNWICH HORROR THE WHISPERER IN DARKNESS THE HAUNTER OF THE DARK THE CALL OF CTHULHU THE RATS IN THE WALLS FROM BEYOND DAGON AT THE MOUNTAINS OF MADNESS IN THE VAULT THE SHADOW OVER INNSMOUTH THE DREAMS IN THE WITCH HOUSE M. R. James CANON ALBERIC'S SCRAP-BOOK LOST HEARTS THE MEZZOTINT THE ASH-TREE NUMBER 13 CASTING THE RUNES COUNT MAGNUS "OH, WHISTLE, AND I'LL COME TO YOU, MY LAD" A WARNING TO THE CURIOUS A VIEW FROM A HILL A NEIGHBOUR'S LANDMARK THE UNCOMMON PRAYER-BOOK WAILING WELL THE FENSTANTON WITCH Edgar Allan Poe A DESCENT INTO THE MAELSTROM A TALE OF JERUSALEM A TALE OF THE RAGGED MOUNTAINS ELEONORA THE BLACK CAT THE CASK OF AMONTILLADO THE FALL OF THE HOUSE OF USHER THE GOLD BUG HOP-FROG THE MASQUE OF THE RED DEATH THE MURDERS IN THE RUE MORGUE THE MYSTERY OF MARIE ROGET THE OBLONG BOX THE OVAL PORTRAIT THE PIT AND THE PENDULUM THE PURLOINED LETTER THE TELL—TALE HEART THE RAVEN TO HELEN EULALIE A DREAM WITHIN A DREAM ANNABEL LEE THE HAUNTED PALACE ALONE DREAM LAND ELDORADO THE CITY IN THE SEA THE BELLS A VALENTINE A SONNET TO SCIENCE
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<p>The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line poem first appeared in the United Kingdom in the October issue of Eliot's The Criterion and in the United States in the November issue of The Dial. It was published in book form in December 1922. Among its famous phrases are "April is the cruellest month", "I will show you fear in a handful of dust", and the mantra in the Sanskrit language "Shantih shantih shantih".</p> <p>Eliot's poem loosely follows the legend of the Holy Grail and the Fisher King combined with vignettes of contemporary British society. Eliot employs many literary and cultural allusions from the Western canon, Buddhism and the Hindu Upanishads. The poem shifts between voices of satire and prophecy featuring abrupt and unannounced changes of speaker, location, and time and conjuring a vast and dissonant range of cultures and literatures.</p> <p>The poem's structure is divided into five sections. The first section, "The Burial of the Dead," introduces the diverse themes of disillusionment and despair. The second, "A Game of Chess," employs alternating narrations, in which vignettes of several characters address those themes experientially. "The Fire Sermon," the third section, offers a philosophical meditation in relation to the imagery of death and views of self-denial in juxtaposition influenced by Augustine of Hippo and eastern religions. After a fourth section, "Death by Water," which includes a brief lyrical petition, the culminating fifth section, "What the Thunder Said," concludes with an image of judgment.</p> <p>Among the most significant works by Eliot's: "Portrait of a Lady", "Preludes", "Whispers of Immortality", "Gerontion", "The Love Song of J. Alfred Prufrock", "The Hollow Men", "Ash Wednesday",Ariel Poems", "Journey of the Magi", "A Song for Simeon", "Old Possum's Book of Practical Cats", "The Awefull Battle of the Pekes and the Pollicles", "Gus: The Theatre Cat", "Growltiger's Last Stand", "The Naming of Cats", "Burnt Norton", "East Coker", "The Dry Salvages", "Little Gidding", "Four Quartets".</p>
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<p>"Canon Alberic's Scrap-Book" is a horror story by British writer M. R. James, which was written in 1894 and published the following year in the National Review. It was included in his first short story collection, Ghost Stories of an Antiquary of 1904. </p> <p>The story has a detailed and realistic setting in the tiny decaying cathedral city of Saint-Bertrand-de-Comminges, at the foot of the Pyrenees in southern France. An English tourist spends a day photographing the interior of the eponymous cathedral and is encouraged by the sacristan to buy an unusual manuscript. This, he concludes, had been created long ago by Canon Albéric de Mauléon (an invented character, said to be a collateral descendant of the real 16th century bishop Jean de Mauléon), who had cut up volumes in the old cathedral library. A disturbing illustration of King Solomon and a demon in the back of the book is a key to the story's suspenseful arc.</p>
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Winner of the EBRD Literature Prize 2019 On New Years' Eve 1938, the writer Abdulla Qodiriy is taken from his home by the Soviet secret police and thrown into a Tashkent prison. There, to distract himself from the physical and psychological torment of beatings and mindless interrogations, he attempts to mentally reconstruct the novel he was writing at the time of his arrest – based on the tragic life of the Uzbek poet-queen Oyhon, married to three khans in succession, and living as Abdulla now does, with the threat of execution hanging over her. As he gets to know his cellmates, Abdulla discovers that the Great Game of Oyhon's time, when English and Russian spies infiltrated the courts of Central Asia, has echoes in the 1930s present, but as his identification with his protagonist increases and past and present overlap it seems that Abdulla's inability to tell fact from fiction will be his undoing. The Devils' Dance brings to life the extraordinary culture of 19th century Turkestan, a world of lavish poetry recitals, brutal polo matches, and a cosmopolitan and culturally diverse Islam rarely described in western literature. Hamid Ismailov's virtuosic prose recreates this multilingual milieu in a digressive, intricately structured novel, dense with allusion, studded with quotes and sayings, and threaded through with modern and classical poetry. With this poignant, loving resurrection of both a culture and a literary canon brutally suppressed by a dictatorship which continues today, Ismailov demonstrates yet again his masterful marriage of contemporary international fiction and the Central Asian literary traditions, and his deserved position in the pantheon of both.
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Biblical Foundations Book Awards Finalist The Catholic Epistles often get short shrift. Tucked into a few pages near the back of our Bibles, these books are sometimes referred to as the "non-Pauline epistles" or "concluding letters," maybe getting lumped together with Hebrews and Revelation. Yet these letters, Darian Lockett argues, are treasures hidden in plain sight, and it's time to give them the attention they deserve. In Letters for the Church, Lockett reveals how the Catholic Epistles provide a unique window into early Christian theology and practice. Based on evidence from the early church, he contends that the seven letters of James, 1–2 Peter, 1–3 John, and Jude were accepted into the canon as a collection and should be read together. Here Lockett introduces the context and content of the Catholic Epistles while emphasizing how all seven letters are connected. Each chapter outlines the author, audience, and genre of one of the epistles, traces its flow of thought, and explores shared themes with the other Catholic Epistles. The early church valued the Catholic Epistles for multiple reasons: they defend orthodox faith and morals against the challenges of heretics, make clear that Christianity combines belief with action, and round out the New Testament witness to Christian faith and life. By introducing the coherent vision of these seven epistles, Letters for the Church helps us rediscover these riches.
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Biblical Foundations Book Awards Runner Up and Finalist In the biblical canon, two books lack any explicit reference to the name of God: Song of Songs and Esther. God's peculiar absence in these texts is unsettling, both for theological discourse and for believers considering implications for their own lived experience. Chloe T. Sun takes on the challenges of God's absence by exploring the often overlooked theological connections between these two Old Testament books. In Conspicuous in His Absence, Sun examines and reflects on the Song of Songs and Esther using theological interpretation. She addresses three main questions: What is the nature of God as revealed in texts that don't use his name? How do we think of God when he is perceived to be absent? What should we do when God is silent or hidden? The experience of God's absence or silence is an important part of the human condition. By exploring the distinct themes and perspectives of Song of Songs and Esther, as well as how they've been received in Jewish and Christian history, Sun demonstrates how both books serve as counter texts to the depiction of God and his work in the rest of the Hebrew Scriptures. Thus both contribute to a fuller picture of who God is and what it means to know him.
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