Imagine someone who has spent a lifetime listening deeply and attentively to the full range of Scripture's testimony. Stepping back, they now describe what they have seen and heard. What emerges is a theological cathedral, laid out on the great vectors of Scripture and fitted with biblically sourced materials.This is what John Goldingay has done. Well known for his three-volume Old Testament Theology, he has now risen to the challenge of a biblical theology. While taking the New Testament as a portal into the biblical canon, he seeks to preserve the distinct voices of Israel's Scriptures, accepting even its irregular and sinewed pieces as features rather than problems. Goldingay does not search out a thematic core or overarching unity, but allows Scripture's diversity and tensions to remain as manifold witnesses to the ways of God. While many interpreters interrogate Scripture under the harsh lights of late-modern questions, Goldingay engages in a dialogue keen on letting Scripture speak to us in its own voice. Throughout he asks, "What understanding of God and the world and life emerges from these two testaments?"Goldingay's Biblical Theology is a landmark achievement—hermeneutically dexterous, biblically expansive, and nourishing to mind, soul and proclamation.
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Israel's exodus from Egypt is the Bible's enduring emblem of deliverance. It is the archetypal anvil on which the scriptural language of deliverance is shaped. More than just an epic moment, the exodus shapes the telling of Israel's and the church's gospel. From the blasting furnace of Egypt, imagery pours forth. In the Song of Moses Yahweh overcomes the Egyptian army, sending them plummeting to the bottom of the sea.But the exodus motif continues as God leads Israel through the wilderness, marches to Sinai and on the Zion. It fires the psalmist's poetry and inspires Isaiah's second-exodus rhapsodies. As it pulses through the veins of the New Testament, the Gospel writers hear exodus resonances from Jesus' birth to the gates of Jerusalem. Paul casts Christ's deliverance in exodus imagery, and the Apocalypse reverberates with exodus themes.In Echoes of Exodus, Bryan Estelle traces the motif as it weaves through the canon of Scripture. Wedding literary readings with biblical-theological insights, he helps us weigh again what we know and recognize anew what we have not seen. More than that, he introduces us to the study of quotation, allusion, and echo, providing a firm theoretical basis for hermeneutical practice and understanding.Echoes of Exodus is a guide for students and biblical theologians, and a resource for preachers and teachers of the Word.
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ECPA Top Shelf Book Cover Award Unraveling the Origins of the New Testament Canon Despite the profound influence of the New Testament, a variety of questions related to its background and history remain common. Contemporary readers often find the subject of the canon's origin and formation to be complicated and confusing, while scholars continue to struggle to find agreement about basic elements of the canon's development. In this engaging study, Benjamin P. Laird explores several misunderstood, disputed, and overlooked topics in order to provide fresh insight and clarity about the canon's creation and modern relevance. The volume addresses questions such as: - Was there a single "original autograph" of each New Testament writing? - Who exactly were the "original readers" of the New Testament writings? - Did theological controversies play a decisive role in prompting the canon's formation? - How did such a diverse body of writings come together to form a single canonical collection? - Is there a basis for the canon's ongoing authority? Wide-ranging yet accessible, Creating the Canon offers an illuminating treatment of the composition, formation, and authority of the New Testament andserves as a valuable guide to those with limited prior study. Creating the Canon is perfect for anyone seeking to further understand how the church got the New Testament, and it is an ideal supplemental text for courses including biblical studies, church history, theology, or any class exploring the development and authority of the New Testament canon.
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How can a doctrine about reconciliation with God create so much controversy among God's people? Theologian Brad Vaughn believes Christians can gain clarity and unity on the doctrine of the atonement through a renewed attention to the biblical evidence. While theological theories are necessary and useful, they can obscure reality as much as clarify it. And we're often ignorant of the role that cultural and historical context plays in shaping these views. Instead of beginning by comparing atonement theories, he argues, we need to delve deep into the Bible, where we find a handful of motifs that combine to form a richer, more robust theology of atonement. The Cross in Context presents a perspective on the atonement that seeks to reconcile theological camps and enable Christians to interpret the Bible more faithfully. It draws from the entire biblical canon and considers the New Testament in light of its Old Testament background, focusing on the internal logic of Israel's sacrificial system. Applying his intercultural ministry experience and expertise on honor and shame, Vaughn also considers how to effectively contextualize the multifaceted message of salvation in diverse cultural contexts. Combining missiology, theology, and biblical studies, The Cross in Context provides a refreshing and nuanced look at the atonement and what it means for the life and witness of the church.
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How does the canon of Scripture fit together? For evangelical Christians, there is no question about the authority of Scripture and its testimony to the centrality of Jesus Christ in God's salvation plan. But several questions remain: How do the Old Testament and New Testament relate to each other? What is the relationship among the biblical covenants? How should Christians read and interpret Scripture in order to do justice to both its individual parts and its whole message? How does Israel relate to the church? In this Spectrum Multiview volume, readers will find four contributors who explore these complex questions. The contributors each make a case for their own view—representing two versions of covenantal theology and two versions of dispensational theology—and then respond to the others' views to offer an animated yet irenic discussion on the continuity of Scripture. Views and Contributors: - Covenant Theology: Michael S. Horton, Gresham Machen Professor of Systematic Theology and Apologetics, Westminster Seminary California - Progressive Covenantalism: Stephen J. Wellum, professor of Christian theology, Southern Baptist Theological Seminary - Progressive Dispensationalism: Darrell L. Bock, Senior Research Professor of New Testament Studies, Dallas Theological Seminary - Traditional Dispensationalism: Mark A. Snoeberger, professor of systematic theology and apologetics, Detroit Baptist Theological Seminary Spectrum Multiview Books offer a range of viewpoints on contested topics within Christianity, giving contributors the opportunity to present their position and also respond to others in this dynamic publishing format.
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"Dive into the Soul of Literature: The Complete Works of Leo Tolstoy Await!" Embark on an epic literary journey with "Leo Tolstoy: Complete Novels and Novellas." This comprehensive collection is a gateway to the profound and timeless tales that have captured hearts and minds for generations. Experience the joy of immersing yourself in Tolstoy's rich narratives, the surprise of intricate plot twists, and the comfort found in the familiarity of classic literature. This collection promises a symphony of emotions that will resonate with readers of all ages. Envelop yourself in the dynamic world of Tolstoy's storytelling. From the sweeping landscapes of "War and Peace" to the intimate complexities of "Anna Karenina," each tale unfolds with unparalleled depth and vibrancy, leaving you yearning for more. Delve into the profound themes of love, morality, and the human condition that Tolstoy masterfully weaves into his works. This collection includes all of his major novels and novellas, offering a complete literary experience that spans the spectrum of human experience. Cherished by literature enthusiasts and scholars worldwide, Tolstoy's works have left an indelible mark on the literary canon. Join the ranks of those who have been moved and inspired by the unparalleled storytelling of one of history's literary giants. Elevate your reading experience and order "Leo Tolstoy: Complete Novels and Novellas" now. Immerse yourself in the timeless brilliance of Tolstoy's storytelling and own a literary treasure that will enrich your bookshelf for years to come. Don't miss this opportunity to own the complete collection of a literary master's legacy!
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Al día siguiente de la explosión y derrumbe de las torres neoyorquinas, una chica me preguntó qué pensaba. No pienso nada y, como ella, me digo: ¿qué pienso? Hay que dar vueltas alrededor de lo que no se entiende. Constantin Brancusi escribió una frase genial: "Miren mis esculturas hasta que las vean". Así de simple: todo depende del tiempo que se les dé a las cosas para que ellas hablen. Por supuesto, esta no podría ser la perspectiva del político, pero quizás sea el privilegio que tienen los que escriben. Si los siglos XIX y XX estuvieron marcados por feroces polémicas culturales en las que lo nuevo se abría camino librando una batalla contra lo establecido (los poetas románticos contra el clasicismo; el modelo del intelectual comprometido contra los escritores burgueses), hoy vivimos en un clima estético de pluralismo y coexistencia pacífica. Ya no hay un canon que emane de una fuente autorizada. Ya nadie discute cómo debe ser la novela ni hay disputas encarnizadas sobre tendencias artísticas. En los ensayos que componen Las dos torres, muchos de ellos inéditos, Beatriz Sarlo recorre los diferentes campos de la cultura contemporánea –del cine y la música de vanguardia al teatro alternativo, de las artes visuales y el marketing turístico de los museos a la literatura– para preguntarse dónde residen hoy las posibilidades de sorprender, de escandalizar, de pensar algo nuevo. ¿En qué se convierte el arte bajo el mandato de la diversidad democrática y la corrección política? ¿En qué medida la omnipresencia del mercado no impone nuevas reglas bajo una pátina de indiferencia y supuesta horizontalidad? ¿Qué espacio crítico queda disponible si cada obra tiene que venir con su explicación? Con su modo accesible y deslumbrante de plantear ideas, Beatriz Sarlo nos invita a mirar con nuevos ojos el lugar de la cultura, que parece adormecida por el hiperrelativismo y el tedio.
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Mientras espera en un bar la improbable llegada de su viejo amigo y profesor Vladimir, a John –un ingeniero que alguna vez tuvo aspiraciones de poeta– lo acorralan escenas de la vida vivida e hirientes astillas de la vida traicionada. El narrador reflexivo y escéptico de Muerde perra espléndida nos dice –sin decirlo– que el pasado no importa por lo que sucedió, sino por cómo y para qué se recuerda. Así, la primera novela de Jorge Iván Agudelo se eleva por encima de cualquier anécdota. Es el triunfo de un estilo que el autor asume de principio a fin: frases largas y pacientemente labradas se erigen como lugares hospitalarios donde todo puede tener cabida y a la vez ser reparado. Esta novela corre el velo de sus referencias: van de Saer a Pavese a Lowry, pasan por Onetti y Amílkar U. Su fuga del canon realista no es capricho o ardid. Jorge Iván, fino poeta, nos susurra algo en lo que cree tercamente: los estragos del tiempo y la realidad solo se alivian con literatura.
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