Hebrew literature contains some of the most profound and most influential productions of the human spirit. It constitutes a potent factor in modern civilization, and possesses merits which place it far above most other literatures of the world. The common salutation of the Hebrew is "Peace," while that of the Greeks is "Grace," and that of the Romans, "Safety." The Greek sought after grace, or intellectual and bodily perfection, and the power of artistic accomplishment. The Roman's ideal was strength and security of life and property. The Hebrew sought after peace, peace in the heart, as founded on a sense of Jehovah's good providence, and a moral conformity in conduct to His revealed will. While the Greek in art, literature, and even in morals, made beauty his standard, the Roman stood for power, domination and law, and the Hebrew for religion. The Hebrew, indeed, introduced into Europe the first clear conception of religion, as implied in monotheism, and a rigidly defined moral law, founded upon the will of Jehovah. The basis of morals among the Latins was political, among the Greeks æsthetic, and among the Hebrews it was the revealed will of Jehovah. While the most important remains of Hebrew literature are comprised in the Scriptures known to us as the Bible, there exists also a voluminous mass of Hebrew writings which are not included in the sacred canon. These writings are of supreme importance and value, and the selections which we have made from them in the present volume give a good idea of their interest, beauty, and subtlety of thought.
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Should any uninstructed person who might chance upon Basil Valentine's ''Triumphal Chariot of Antimony " undertake to read that work, he would probably be mystified by much of its contents, by its references to the Spagyric art, to the grand Magisterium, the true and universal Medicine, the Tinctures which transmute metals, with other unknown quantities and other deep mysteries which make part of the Sacramentum Regis. But if he were asked what he thought of Basil Valentine in his historical and personal character, it is unlikely that he would suppose for a moment the existence of any romantic mystery encompassing the mere life of the man. He would regard him as a pious Benedictine monk, uncommonly well versed for his period in certain departments of experimental and medical chemistry, and, perhaps, as a bizarre speculator in the cloudy borderlands of physical science ; but such biographical data as can be gathered concerning him from his writings, he would naturally accept without question, because there would be no ground for assuming any reason to doubt them. Yet even as such a person would be mistaken in his estimate of Valentine the alchemist, as distinguished from Valentine the investigator of antimonial therapeutics, so it is just possible that he would be astray in his estimate of the man, being misled by a veil of simplicity which skilfully conceals the adept under the unpretending mask of a monastic canon.
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<p> Dans le roman «Sans dessus dessous», les membres du Gun Club veulent changer le climat de la planète pour pouvoir accéder aux minéraux stockés sous la glace polaire. Pour cela, il leur a semblé suffisant de redresser la pente de l’axe de la terre, en tirant avec un canon géant. Les conséquences d’une erreur dans les calculs sont accablantes: les mers inondent les continents et les montagnes tombent sous la terre...</p>
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NEW PAPERBACK EDITION 2015 saw the publication of The Long Gaze Back: An Anthology of Irish Women Writers, edited by Sinéad Gleeson. The Long Gaze Back was widely acclaimed and went on to win Best Irish-published Book of the Year 2015 at the Irish Book Awards. More importantly, it sparked lively discussion and debate about the erasure of women writers from the literary canon. One question kept arising: where was the equivalent anthology for women writers from the north? The Glass Shore, compiled by award-winning editor, broadcaster and critic Sinéad Gleeson, provides an intimate and illuminating insight into a previously underappreciated literary canon. Twenty-four female luminaries — whose lives and works cover three centuries — capture experiences that are both vivid and varied, despite their shared geographical heritage. Unavoidably affected by a difficult political past, this challenging landscape is navigated by characters who are searingly honest, humorous and, at times, heartbreakingly poignant. The result is a collection that is enthralling, stirring and quietly disconcerting. Individually, these intriguing stories make an indelible impact and are cause for reflection and contemplation. Together, they transgress their social, political and gender constraints, instead collectively presenting a distinctive, resolute and impassioned voice worthy of recognition and admiration. Featuring stories by: Rosa Mulholland, Erminda Rentoul Esler, Sarah Grand, Alice Milligan, Eithne Carbery, Margaret Barrington, Janet McNeill, Mary Beckett, Polly Devlin, Frances Molloy, Una Woods, Sheila Llewellyn, Linda Anderson, Anne Devlin, Evelyn Conlon, Mary O'Donnell, Annemarie Neary, Martina Devlin, Rosemary Jenkinson, Bernie McGill, Tara West, Jan Carson, Lucy Caldwell and Roisín O'Donnell.
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Don Quixote, fully titled The Ingenious Nobleman Mister Quixote of La Mancha, is a Spanish novel by Miguel de Cervantes Saavedra. Published in two volumes, in 1605 and 1615, Don Quixote is considered the most influential work of literature from the Spanish Golden Age and the entire Spanish literary canon. As a founding work of modern Western literature and one of the earliest canonical novels, it regularly appears high on lists of the greatest works of fiction ever published, such as the Bokklubben World Library collection that cites Don Quixote as the authors' choice for the "best literary work ever written"
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The present study adds to TEFL discourse in several ways. First of all, it contributes to the widening of the canon as it focuses on Ugandan childrens fiction. Secondly, the research connects to the few empirical studies that exist in the field. It provides further implications for cultural and global learning and literary didactics in TEFL derived from insights into the mental processes of a group of Year 9 students in Germany engaging with Ugandan childrens fiction within the scope of an extensive reading project.
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A mediados de los sesenta, la música popular norteamericana dio un giro copernicano cuando la fábrica de hits de Nueva York se vio desplazada por los himnos aterciopelados y edénicos que empezaron a brotar de Los Ángeles de la mano del genial productor Phil Spector y grupos como los Beach Boys, los Byrds o The Mamas and the Papas. A partir de ese momento, una serie de artistas, que empezaron a reivindicarse como cantautores de sus propios temas, encontraron en las colinas californianas de Laurel Canyon y en sus alrededores un paraíso virginal —en plena naturaleza pero a un paso del fragor de la gran ciudad— donde establecerse, echar raíces y dar rienda suelta a sus canciones de corte intimista y reivindicativo. Locales como el Troubadour, en La Cienega Boulevard, empezaron a ser frecuentados por la nueva horda de músicos, que aspiraban a tocar sus canciones en directo frente a la exigente audiencia, formada en buena parte por los propios músicos y aspirantes a estrellas. Se iría así fraguando una de las eras doradas del rock norteamericano, que empresarios de la música como un joven y aguerrido David Geffen y su socio Elliot Roberts convertirían casi de la noche a la mañana en un emporio. De este modo, sellos como Warner/Reprise, dirigidos por los linces Mo Ostin y Joe Smith, o Asylum, del tándem Geffen/Roberts, apostaron por un repertorio de folk rock y nuevo country que vio nacer a cantautores y grupos de la talla de Neil Young, Joni Mitchell, Gram Parsons, Crosby, Stills & Nash, Jackson Browne, Linda Ronstadt, James Taylor, The Flying Burrito Brothers, The Eagles o Fleetwood Mac, entre muchos otros, que se convertirían en el nuevo canon del rock y el folk de la música norteamericana a base de música introspectiva y de raíces. Sin embargo, el idealismo, la solidaridad y el talento no tardarían en dar paso a un pandemónium de celos, consumo exacerbado de drogas y sobredosis, relaciones sentimentales tormentosas, éxitos clamorosos y caídas en picado que convirtieron el paraíso en un infierno de egoísmo y capitalismo desbocado que preconizó las maneras que la industria musical desarrollaría a partir de ese momento. Esta es la historia de los artistas de aquella generación, que alumbraron algunas de las mejores canciones de todos los tiempos y cuyo legado sigue más vigente que nunca.
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El Tao Te Ching es uno de los libros más influyentes de la historia de la humanidad. Este texto, del cual hay diversas versiones, es una recopilación de 81 pasajes escritos por el sabio Lao-Tzu/Laozi, aunque algunos historiadores dudan de su autoría. El título se podría traducir por "el Canon del Sendero y la Virtud" o, sencillamente, como "el Libro del Camino". El taoísmo es un antiguo sistema de filosofía y ética muy importante en Asia oriental, pero cuya influencia se extiende por todo el mundo y es evidente, aún hoy, en el arte, la literatura y la filosofía. Este sistema sirve para vivir en armonía con los ciclos de cambio y para tomar conciencia de nuestro lugar en la red de la vida. Las enseñanzas de los capítulos o secciones en que se divide el libro se ejemplifican en esta novela gráfica con situaciones cotidianas a las que se podrían aplicar, de forma que el lector puede ver representados los aprendizajes de Lao Tzu en una realidad que le es conocida. "El Camino que puede describirse con claridad no es el Camino Inmutable. El nombre que puede pronunciarse en voz alta no es el Nombre Inmutable. Con la boca cerrada, dejando las cosas sin definir, te encuentras al principio del universo. Establece definiciones, y entonces eres la medida de toda creación".
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