The House of the Seven Gables is a gothic novel written beginning in mid-1850 by American author Nathaniel Hawthorne and published in April 1851 by Ticknor and Fields of Boston. The novel follows a New England family and their ancestral home. In the book, Hawthorne explores themes of guilt, retribution, and atonement and colors the tale with suggestions of the supernatural and witchcraft. The setting for the book was inspired by a gabled house in Salem belonging to Hawthorne's cousin Susanna Ingersoll and by ancestors of Hawthorne who had played a part in the Salem Witch Trials of 1692. The book was well received upon publication and later had a strong influence on the work of H. P. Lovecraft. The House of the Seven Gables has been adapted several times to film and television. The novel is set in the mid-19th century, but flashbacks to the history of the house, which was built in the late 17th century, are set in other periods. The house of the title is a gloomy New England mansion, haunted since its construction by fraudulent dealings, accusations of witchcraft, and sudden death. The current resident, the dignified but desperately poor Hepzibah Pyncheon, opens a shop in a side room to support her brother Clifford, who has completed a thirty-year sentence for murder. She refuses all assistance from her wealthy but unpleasant cousin, Judge Jaffrey Pyncheon. A distant relative, the lively and pretty young Phoebe, arrives and quickly becomes invaluable, charming customers and rousing Clifford from depression. A delicate romance grows between Phoebe and the mysterious attic lodger Holgrave, who is writing a history of the Pyncheon family.
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The works of American author Edgar Allan Poe include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism and allegory. Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. Poe pursued originality in his works, and disliked proverbs. He often included elements of popular pseudosciences such as phrenology and physiognomy. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.
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The works of American author Edgar Allan Poe include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism and allegory. Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. Poe pursued originality in his works, and disliked proverbs. He often included elements of popular pseudosciences such as phrenology and physiognomy. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.
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The works of American author Edgar Allan Poe include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism and allegory. Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. Poe pursued originality in his works, and disliked proverbs. He often included elements of popular pseudosciences such as phrenology and physiognomy. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.
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The works of American author Edgar Allan Poe include many poems, short stories, and one novel. His fiction spans multiple genres, including horror fiction, adventure, science fiction, and detective fiction, a genre he is credited with inventing. These works are generally considered part of the Dark romanticism movement, a literary reaction to Transcendentalism. Poe's writing reflects his literary theories: he disagreed with didacticism and allegory. Meaning in literature, he said in his criticism, should be an undercurrent just beneath the surface; works whose meanings are too obvious cease to be art. Poe pursued originality in his works, and disliked proverbs. He often included elements of popular pseudosciences such as phrenology and physiognomy. His most recurring themes deal with questions of death, including its physical signs, the effects of decomposition, concerns of premature burial, the reanimation of the dead, and mourning. Though known as a masterly practitioner of Gothic fiction, Poe did not invent the genre; he was following a long-standing popular tradition.
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"Maria, or The Wrongs of Woman" is an unfinished novelistic sequel to her revolutionary political treatise "A Vindication of the Rights of Woman". The book is widely considered to be her most radical feminist work. "Maria" is a philosophical as well as a gothic novel that revolves around the story of a woman imprisoned in an insane asylum by her husband.
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Band 3 der ersten deutschsprachigen Ann-Radcliffe-Gesamtausgabe, herausgegeben von Maria Weber. Die junge Waise Adeline gelangt auf mysteriösen Wegen in die Obhut Pierre de la Mottes, eines verarmten Adligen, der sich mit seiner Familie auf der Flucht vor dem langen Arm des Gesetzes befindet. In einer abgelegenen, verfallenen Abtei inmitten eines düsteren Waldes finden die Flüchtenden eine provisorische Unterkunft. Doch die Ruhe währt nicht lange: Der Marquis de Montalt, der Besitzer der Abtei, erscheint mit seinem Gefolge auf der Bildfläche. Während Adeline bald ahnt, dass in den Mauern der Abtei einst ein schreckliches Verbrechen verübt wurde, verstrickt sich ihr vermeintlicher Wohltäter immer mehr in die perfiden Pläne des grausamen Marquis ... Ann Radcliffes Meisterwerk "The Romance of the Forest", erstmals im Jahre 1791 erschienen und später von ihrer zeitgenössischen Kollegin Jane Austen in "Northanger Abbey" satirisiert, ist der Inbegriff der Gothic Romance und etablierte ihren Ruf als Schriftstellerin. Erste vollständige deutsche Ausgabe.
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Plötzlich allein: Sara ist ein ganz normaler Teenager, bis eines Tages ihre Eltern bei einem Flugzeugabsturz ums Leben kommen. Ein tiefer Einschnitt in ihrem Leben. Sie soll zu ihrem Onkel ziehen, den sie in ihrem Leben erst zweimal gesehen hat. Sich einzuleben fällt ihr schwer und Sara findet keinen Anschluss. Jake ihr Nachbarjunge entwickelt sich zur Hassliebe. Keiner merkt, dass es ihr immer schlechter geht…Saras Fluchtversuch scheitert und auch wenn sich ihr Onkel mehr Mühe gibt, es wird alles nur noch schlimmer…Saras einziger Halt ihre Telefonate mit ihrer Freundin Sophie… Alle(s) blöd: Sara hat sich nicht wirklich nach dem Tod ihrer Eltern bei ihrem Onkel eingelebt. Sie beschließt, sich in Bezug auf ihr Äußeres einer radikalen Verwandlung zu unterziehen. Heraus kommt etwas, was eher nach einem "Gothic-Schneewittchen" aussieht. Sara gefällt`s. Zwischen Jake und ihr entwickelt sich eine Hassliebe. Zum Schluss wird ihr jedoch alles zuviel... Todkrank: Im Krankenhaus versucht Sara ihr Problem immer noch zu verbergen, doch es war zu offensichtlich. Ihr erster Termin beim Psychologen bringt alles ans Tageslicht. Doch Sara wäre nicht Sara, wenn sie keinen Plan hätte. Sie beschließt zu fliehen und schafft es einige Kilometer, bis sie zusammenbricht. Wird Sara ihr Martyrium überleben?
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