Interpersonal relationships are possible for humans because we are created in the image of a Trinitarian God. But if the Trinity is our model for relationships, why is the human condition rife with pain and evil? How are we to think correctly about fallen human relationships and our models for understanding them? Redeeming Sociology advocates a biblically informed model for human relationships—relationships rooted in the Trinitarian character of God, his governance of the world, and his redemption accomplished in Christ. Poythress examines how the breaking of relationships through sin leads to strife, murder, and oppression among human beings and sets cultures against one another. And he shows how these broken relationships are restored through the outworking of redemption in Christ. Though typical sociological models for interpersonal relationships may offer some valuable insights, they are handicapped by a fundamental misunderstanding of humanity. The biblical model that Poythress presents correctly diagnoses the problem of human relationships, so it can likewise prescribe a biblical solution that infuses new meaning and power into how we relate to others made in the image of God.
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Often the most misunderstood, and therefore ignored, member of the Trinity, the Holy Spirit deserves our attention and understanding. God the Father and God the Son rightfully garner much explanation and exploration, and God the Holy Spirit ought to be given the same studiousness, curiosity, and scholarship. In this addition to Crossway's Foundations of Evangelical Theology series, Dr. Graham Cole has written a work that offers a comprehensive theology of the Holy Spirit. This book shows the ultimate selflessness of the Holy Spirit as the member of the Trinity who always works for the glory of God the Father and God the Son and the good of the saints. Ideal for pastors, teachers, and students of theology, this book is a superb theology of the Holy Spirit. Part of the Foundations of Evangelical Theology series.
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RÉSUMÉ : Dans "L'Âme humaine sous le régime socialiste", Oscar Wilde propose une réflexion audacieuse et visionnaire sur l'interaction entre l'individu et la société dans un cadre socialiste. Loin des dogmes politiques traditionnels, Wilde esquisse une société où la liberté individuelle et la créativité sont au coeur de la vie collective. Il imagine un monde où les contraintes économiques et sociales sont abolies, permettant à chaque individu de s'épanouir pleinement sans les entraves de la propriété privée ou de l'autorité oppressive. Ce texte, bien qu'écrit à la fin du XIXe siècle, résonne avec une modernité surprenante, remettant en question les notions de travail, de richesse et de pouvoir. Wilde, avec son style incisif et son esprit acéré, prône une forme de socialisme libertaire où l'art et la beauté deviennent les piliers d'une société harmonieuse. En défiant les conventions de son temps, il invite le lecteur à repenser les structures sociales et à envisager un avenir où l'âme humaine peut véritablement s'exprimer et prospérer. L'AUTEUR : Oscar Wilde, né le 16 octobre 1854 à Dublin, est l'une des figures littéraires les plus emblématiques de la fin du XIXe siècle. Écrivain, poète et dramaturge, il est célèbre pour son esprit brillant et son style flamboyant. Après des études à Trinity College à Dublin puis à Oxford, Wilde s'installe à Londres où il devient une figure centrale de la scène littéraire et sociale. Son oeuvre la plus connue, "Le Portrait de Dorian Gray", explore les thèmes de la beauté, de la moralité et de la décadence. Wilde est également reconnu pour ses pièces de théâtre telles que "L'Importance d'être Constant" et "Un mari idéal", qui sont des chefs-d'oeuvre de la comédie de moeurs. Sa carrière est brutalement interrompue en 1895 lorsqu'il est condamné pour "indécence" en raison de son homosexualité, un scandale qui le conduit à la prison. Libéré en 1897, il passe les dernières années de sa vie en exil en France, où il meurt en 1900. Oscar Wilde laisse derrière lui un héritage littéraire riche et complexe, marqué par une profonde réflexion sur la société, l'art et la condition humaine.
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This is the long-awaited biography of the great humanist historian of eighteenth-century Ireland. Carlow landlord, writer and political commentator, Lecky achieved fame in his lifetime as the author of monumental works of Irish, English and European history, and saw himself as heir to the great tradition of colonial nationalism vested in Swift, Burke and Grattan. A classic Victorian intellectual, he championed rationalism, loathed bigotry and was an admirer of Daniel O'Connell. In later life he became a 'revisionist' of his own earlier work, opposing Parnell and adopting a position of liberal unionism. He represented his alma mater Trinity College, Dublin, from 1895 to his death, campaigning vigorously against Home Rule. This critical account of Lecky's life, writings and ideals opens up a neglected area of nineteenth-century Irish and continental historiography, and documents the parts he played in the unfolding drama of Anglo-Irish relations and the emergence of Irish nationalism. It makes an invaluable contribution to the history of ideas, and deepens our understanding of the nature of culture and politics in modern Ireland.
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TCD of the sixties was an unusual, even unique institution, where a motley collection of students from England, Ireland and many other parts of the world came together at a fascinating time in the post-war period. TCD then was a remarkably small, mainly Protestant university, curiously cut off from, but also part of an old Catholic city. It was an eccentric little world. Trinity Tales explores this sixties milieu through thirty-six different autobiographical lenses, including works by Derek Mahon, Brendan Kennelly, Edna and Michael Longley, Roy Foster, Jeremy Lewis, Ray Lynott, Rock Brynner and Donnell Deeny: alumni who overlapped, played their part, and in turn involved later alumni. This book is an invaluable record of a culture in transition, handsomely illustrated with photographs.
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'Receding imperialism usually leaves behind those who have for generations staunchly upheld its authority and flourished under its aegis – Germans in Bohemia, Swedes in Finland, loyalists or tories in the American colonies, Greeks in Asia Minor, Muslims in the Balkans. Among those abandoned adherents of a lost cause were the unionists in the south and the west of Ireland.' So begins R.B. McDowell's preface to this lively, meticulously researched account of the fate of Irish unionists outside Ulster from the era of Parnell through the early years of the Irish Free State. McDowell details the efforts of a ruling minority to maintain the union between Britain and Ireland, and tells the story of what became of them during and after the Anglo-Irish war and the handing over of the twenty-six counties. The bastions of Southern unionism – Trinity College Dublin, The Irish Times – come under sympathetic scrutiny from a man who became intimately acquainted with the ex-unionist world while a student at Trinity in the 1930s, as chronicled in the colourful Afterword. Crisis & Decline also records the testimony of ordinary unionists – farmers, shopkeepers, policemen, and others – who sought compensation for losses suffered during the 1920s. McDowell gives us a nuanced portrait of a distinctive social group, much mythologized in literature but hitherto neglected by historians, who clung steadfastly to a doomed vision of Ireland within the British Empire. Originally published in 1997, R.B. McDowell's pioneering study of Irish unionism is now being reissued in paperback by The Lilliput Press.
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These time-capsule recollections of Trinity College students in the seventies include those of U2 manager Paul McGuinness, director of the Gate Theatre Michael Colgan, novelist James Ryan, writer Robert O'Byrne, judge Fidelma Macken, publisher Antony Farrell, Dillie Keane of Fascinating Aida, Mary Harney, Liz O'Donnell and others, who have in different ways shaped the Ireland of today. The seventies were significant, with Catholic students allowed into the College as British grants enabled a welcome invasion by the Northern Irish; post-Woodstock, a global counterculture was at work. Together, Irish nationals and expats created an interesting fusion of sensibilities, styles and philosophies. As the decade of political and social upheaval unfolded – from the availability of the Pill to the horrors of Bloody Sunday and the Dublin bombings – Irish youth came to embrace a changed Ireland. Buoyed by idealism and other substances but tethered by pragmatism, contributors to Trinity Tales mirror a time when everything felt possible.
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The practice of terror in revolutionary Ireland remains a highly controversial topic, which seldom receives either balanced or dispassionate treatment. This collection of essays is designed to illuminate the varied origins, forms and consequences of terror, whether practised by republicans or forces of the Crown. It is the fifth production of the Trinity History Workshop, an informal group of academic historians, research students, and undergraduates associated with Trinity College, Dublin. The Workshop's reputation was established in 1986 by its first collection, Ireland and the First World War, subsequently reissued by The Lilliput Press. The current volume is dedicated to the memory of a distinguished former member, the late Peter Hart, whose studies of both revolutionary and counter-revolutionary terror continue to arouse lively and sometimes intemperate debate. Several chapters emerged from papers delivered at a one-day conference in Trinity College in November 2010, while others have been specially commissioned for this book. The contributors, including gifted postgraduate and undergraduate students as well as prominent historians, tackle many facets of terror, such as 'Bloody Sunday', the Kilmichael Ambush and the Sack of Balbriggan. Scholars, students, political activists and all those interested in the Irish Revolution will find both provocation and enlightenment in this book. Its purpose is not to assign blame to one party or another, but to offer varied perspectives on one of the most contentious periods of Irish history. The book is enhanced by illustrations, maps and charts.
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