- Shortlisted for the T.S. Eliot prize - A Poetry Society Recommendation - A Guardian Poetry Book of the Year - One of The Telegraph's Best Poetry Books of 2019 A knife is pulled. An Uber driver is racially abused on the day of the Brexit referendum. A father bathes his son in ice water. A schoolboy drives a drawing pin into a map of the world. The threat of violence is never far away in Anthony Anaxagorou's breakthrough collection After the Formalities. Technically achieved, emotionally transformative and razor-sharp, these are poems that confront and contradict; poems in which the scholarly synthesises with the streetwise, and global histories are told through the lens of one family. Anaxagorou 'speaks against the darkness', tracking the male body under pressure from political and historical forces, and celebrates the precarious joy of parenthood. The title poem is a meditation on racism and race science that draws on the poet's Cypriot heritage and is as uncomfortable as it is virtuosic. Elsewhere, in a sequence of prose poems that shimmer with lyric grace, he writes, 'I'm your father & the only person keeping you alive.'
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Sal, the protagonist of Sun Alley, is an exceptionally intelligent twelve-year-old boy, experiencing his first love. One summer afternoon, on his way to see his girlfriend Emi, he is caught in a rain shower and shelters in the hallway of a block of flats. Led by a strong odour, he goes down into the basement, where he comes upon the corpse of a young and very beautiful woman. Little by little, Sal will attempt to discover the mystery of this body and, at the same time, will pursue in his amorous relationship with Emi; a strange liaison which unfolds in parallel with the adulterous affair of an adult couple whose path Sal repeatedly crosses. As his love story with Emi evolves, Sal tries his best to hide it, not only from the cynical eyes of his friends in the neighbourhood, but also from his parents – whose intervention might well shatter his bliss – thereby developing a veritably adulterous mindset that can also be observed in the adult couple. The connections between adults and the two children, on the one hand, and the dead body discovered by Sal on the other, are far deeper and more complicated than they may at first seem. Sun Alley is a novel about the roots of adultery and the destiny of an exceptional young boy who, thanks to his gifts, has the power to see his own future in his mind's eye. This book is also available as a eBook. Buy it from Amazon here.
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Khairani Barokka's second poetry collection is an intricate exploration of colonialism and environmental injustice: her acute, interlaced language draws clear connections between colonial exploitation of fellow humans, landscapes, animals, and ecosystems. Amidst the horrifying damage that has resulted for peoples as interlinked with places, there is firm resistance. Resonant and deeply attentive, the lyricism of these poems is juxtaposed with the traumatic circumstances from which they emerge. Through these defiant, potent verses, the body—particularly the disabled body—is centred as an ecosystem in its own right. Barokka's poems are every bit as alarming, urgent and luminous as is necessary in the age of climate catastrophe as outgrowth of colonial violence.
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Khairani Barokka's first full poetry collection, Rope, is a spellbinding and impressive debut, kaleidoscopic in detail and richly compelling. With a meticulous artist's instinct, these finely-tuned poems ask urgent questions about our impact upon the environment, and examine carefully the fragile ties that bind our lives and our fate to our planet, our ecosystems and to our fellow humans. Sensual and ecologically attentive, Rope draws on issues of climate change, sexuality, violence, nature, desire and the body. Lush with detail, alert to its own distinct sounds, this is poetry in urgent and vivacious action - intent on finding vivid joy and hope amidst the destruction and dangers of the Anthropocene era.
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Theresa Lola's debut poetry collection In Search of Equilibrium is an extraordinary and exacting study of death and grieving. Where the algorithms of the body and the memory fail, Lola finds the words that will piece together the binary code of family and restart the recovery program. In doing so, these unflinching poems work towards the hard-wired truths of life itself - finding hope in survival, lines of rescue in faith, a stubborn equilibrium in the equations of loss and renewal. "Theresa Lola's poems never fail to surprise with her breath-taking ability to create unexpected imagery; they never fail to move as she laments the last years of a loved one; and they never fail to delight with the transformative and healing power of poetry to create beauty." - Bernardine Evaristo
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In 2018, the Poetry School and Nine Arches Press launched their nationwide Primers scheme for a fourth time, in search of exciting new voices in poetry, with Kim Moore and Jane Commane as selecting editors. After reading through hundreds of anonymous entries, and narrowing down the choices from longlist to shortlist, three poets emerged as clear choices: Lewis Buxton, Amelia Loulli and Victoria Richards. Primers: Volume Four now collects together a showcase from each of the three new poets It is an irresistible invitation to step out of ourselves and our bodies and drop your expectations on the dancefloor, to take the plunge on the rollercoaster-ride of grief, motherhood and new life, and to meet desire in all its outrageous, dazzling and joyous forms. Secrets, disclosures, changed names and brilliant disguises make for a vivid, adventurous and often deeply moving selection of new work from some of poetry's most talented emerging voices. Praise for Primers: Volume Four "All three poets are rooted in the territory of the body and the expectations placed on it by society though their concerns range widely – from an examination of toxic masculinity to female desire and motherhood. Their approach to language and form is varied, but what is consistent is their ability as poets to invite the reader to see the world in a different way." – Kim Moore
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Tania Hershman's Still Life With Octopus is an exquisitely-attuned second collection, a philosophical and poetic interrogation of the boundaries of animal and human worlds and the intimate nature of time, being and joy. Exploring the slippage between the life of the mind and the life of the body - in particular, those belonging to women – Hershman wonders what might happen if we let go of our preconceptions of both reality and language, taking nothing for granted and starting again from first principles, with fresh eyes. While trying to fathom our physical and metaphysical existence, Hershman doesn't ignore the other forms of intelligent life we share our planet with; her octopus is envisioned both as a creature within and alongside us and as a way to consider our place as humans within a greater chain of co-existence. Still Life With Octopus is a precisely observed and open-hearted gift of a book.
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The collection Fairground Magician brings together stories about love fulfilled and unfulfilled, about things that are visible in the everyday world and values that are perceptible only at exceptional moments. The narration moves from apparent realism to other genres; from crime fiction or thriller to erotic prose. Memories, intimations and premonitions are infused in these stories with a tranquillity that accepts what fate brings, even when efforts are made to change it, as in the stories Pockets Full of Stones or Nosedive. Lengold uses eroticism as a natural ingredient of human life, as an integrated tension consisting of two inseparable aspects – body and soul – energising stories like Love Me Tender, Zugzwang, Wanderings, and Aurora Borealis. In Fairground Magician, Lengold is a lucid observer of minute details and subtle emotional shifts. In stories like It Could Have Been Me, Shadow, or Ophelia, Get Thee to a Nunnery, she manages to leap over the wall between the bodily surface and the human interior in a very distinctive way. No matter how common are the situations she depicts - whether it be broken marriages, unfulfilled expectations or the motives of forlorn lovers - Lengold is constantly searching for the authentic, finding it within the sophisticated irony which is a trademark of her fiction. Jelena Lengold is a storyteller, novelist and poet. She has published five books of poetry, one novel (Baltimore) and four books of short stories, including Rain-soaked Lions, Lift and Fairground Magician, which won her the European Prize for Literature in 2011. Lengold works as a journalist and an editor at Radio Belgrade. This book is also available as a eBook. Buy it from Amazon here.
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