Czy wiecie, skąd się biorą dzieci w świecie zwierząt i roślin Organizmy żywe rozmnażają się na tyle różnych sposobów, że można dostać od tego zawrotu głowy!Dlaczego modliszka odgryza na randce głowę swojemu partnerowi Czy to prawda, że skarabeusz uwodzi wybrankę kulką kupy, a ślimak jest zarówno mamą jak i tatą Czy bakterie też chodzą na randki A jak randkują rośliny, skoro nie potrafią chodzić Dlaczego para jeżozwierzów wzajemnie na siebie siusia Kiedy i po co tata błazenek zamienia się w mamę I dlaczego właściwie wrotki bdelloidalne nie potrzebują chłopaków Z tej książki dowiecie się o fascynujących sposobach rozmnażania zwierząt i roślin... w lesie, na łące i pod wodą! O AUTORACH: Szymon Drobniak - dr biologii ewolucyjnej i zoologii. Zwycięzca międzynarodowego konkursu Fame Lab dla popularyzatorów nauki. Badał przyrodę w wielu miejscach na świecie: np. w kostarykańskiej dżungli czy w szwedzkiej tajdze arktycznej. Wykładał na uniwersytetach w Zurychu oraz w Uppsali, a obecnie na Uniwersytecie Jagiellońskim. Współpracuje też z Uniwersytetem Nowej Południowej Walii w Sydney. Autor kilkudziesięciu publikacji naukowych oraz książki Co nas może zabić w mieście. Po godzinach występuje jako naukowy stand-uper. Kolekcjonuje stare książki przyrodnicze i polskie szkło barwione. Maria Łepkowska - graficzka i ilustratorka. Studiowała na warszawskiej ASP, wegetarianka.
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The book presents the gradual transformation of opera to modern, diversified forms, especially the subgenres which go beyond the accepted, conservative canon through its marriage with popular music styles. Despite their connections with opera heritage, they seem to be ignored and considered as not fully-fledged operas due to their popular appeal and close associations with mass culture. The process of transformation presented in the book covers the period from the activity of the Florentine Camerata and the first performance of Daphne by Jacopo Peri in 1597, to the release of the concept album of the rock-opera Tommy by the British rock band The Who in 1969. Although the research deals with the changes of opera to the creation of the rock-opera Tommy, it presents also other eminent works of this subgenre to illustrate fully its diversity, richness and artistic value. The presented analysis of the transformations of opera from elite art to popular entertainment for people coming from different social background with different music taste, contains three main themes: the form of opera, its soloists and the behavior of audiences.
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Fenek dostaje od rodziców wspaniały prezent - wrotki. Jego przyjaciel Maks także chciałby się na nich przejechać. Czy Fenek nauczy się, jak ważne jest dzielenie się z innymi
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Abstrakty Wawrzyniec Konarski, Franciszek Czech, Jakub Kościółek Wstęp Sylwia Jaskuła, Leszek Korporowicz Kultury narodowe w procesie wirtualizacji National cultures in the process of virtualization Paweł Kuciński Reinterpretacje romantyzmu. Radykalny nacjonalizm wobec dziedzictwa epoki wieszczów Reinterpretations of Romanticism. Radical Nationalism Towards the Legacy of the Age of Bardes Lilianna Dorak-Wojakowska Relacje pomiędzy kulturą a etnicznością w tekstach Cezarii Anny Baudouin de Courtenay-Ehrenkreutz-Jędrzejewiczowej Relations between Culture end Ethnicity in the Texts of Cezaria Anna Baudouin de CourtenayEhrenkreutzJędrzejewiczowa Katarzyna Sawicka-Mierzyńska Białoruskość jako idée fixe twórczości Sokrata Janowicza Belarussian Identity as an Idée Fixe of Sokrat Janowiczs work Renata Czekalska Idea wolności i ekspresja artystycznego buntu w nowoczesnej poezji hindi The idea of freedom and the expression of artistic protest in modern Hindi poetry Katarzyna Duda Narody Kraju Rad. Współistnienie i zatomizowanie kultur (twórczość Ludmiły Ulickiej) The nations of Soviet Union. The coexistence and distraction of cultures (the literary output of Ludmila Ulitskaya) Elżbieta Wiącek A po zawoju na głowie każdy stan poznać.
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<p> <span>Dr. Thorndyke is the CSI of his day. Most of the book is taken up with the account of how an innocent man gets himself thoroughly entangled in what looks like the certainty that he will be hanged, either for the death of a man he saw only once, or amazingly, for his own death! But, of course, Dr. Thorndyke is able to extricate him from this awful situation and triumph yet again. This is the amazing story of a polite, artistic gentleman who, by a series of mistakes, accidents, bad decisions and bad luck finds himself accused of two murders and a fraud. One of the murder victims is himself! No one but Dr. Thorndyke could possible clear up the confusion.</span></p>
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Faust is the protagonist of a classic German legend. He is a scholar who is highly successful yet dissatisfied with his life, which leads him to make a pact with the Devil, exchanging his soul for unlimited knowledge and worldly pleasures. The Faust legend has been the basis for many literary, artistic, cinematic, and musical works that have reinterpreted it through the ages. "Faust" and the adjective "Faustian" imply a situation in which an ambitious person surrenders moral integrity in order to achieve power and success for a delimited term. The Faust of early books.as well as the ballads, dramas, movies, and puppet-plays which grew out of them.is irrevocably damned because he prefers human to divine knowledge; "he laid the Holy Scriptures behind the door and under the bench, refused to be called doctor of Theology, but preferred to be styled doctor of Medicine". Plays and comic puppet theatre loosely based on this legend were popular throughout Germany in the 16th century, often reducing Faust and Mephistopheles to figures of vulgar fun. The story was popularised in England by Christopher Marlowe, who gave it a classic treatment in his play, The Tragical History of Doctor Faustus (of which the date for publication is debated, but was likely around 1587). In Goethe's reworking of the story two hundred years later, Faust becomes a dissatisfied intellectual who yearns for "more than earthly meat and drink" in his life.
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Today’s actors must be able to perform as soloists in the worlds of theatre and film. The technique of the ‘Vertical of the Role’ enables actors to develop their independence and autonomy when analyzing their roles, leading them to become authors of their own art in their own right. It offers the basis for all manner of successful auditions, but also for artistic interaction within an ensemble and with a director. Generations of actors have grown up with Stanislavsky’s classic, ‘The Actor’s Work on Himself’, but the theatre of the 21st century with its own framework of production demands new forms of independent work from the actor. Jurij Alschitz has developed the method of the ‘Vertical of the Role’ during his years of detailed research into theatre practice. The research was carried out in European Theater Centers which Jurij Alschitz himself established in Germany, Italy, and Scandinavia and the results of this research have been tested and successfully applied on stage in theatre practice all over the world. In this book, Jurij Alschitz offers his thoughts on the ethics of the acting profession. He views the actor as the author, creator, and center of the dramatic performance, who must consequently be equipped with the appropriate technical skills to fulfill this wide range of tasks. The successive phases of the actor’s work on the ‘Vertical of the Role’ are explained in detail, ready to be used by the actor, or to form a basis for teachers and directors who wish to apply this method. A separate chapter describes daily training for the actor on the basis of practical exercises.
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The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personæ to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Contemporary reviews all praised the play's humour, though some were cautious about its explicit lack of social messages, while others foresaw the modern consensus that it was the culmination of Wilde's artistic career so far. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.
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