Actualmente, diversas personas físicas y morales están obligadas a enviar de forma mensual su información contable a través del Portal del SAT (contabilidad en línea). Mediante la Resolución Miscelánea Fiscal, el SAT emite las normas que regulan la contabilidad electrónica y su envío a través del portal electrónico, notificando qué contribuyentes están liberados de cumplir con esta obligación; así como el calendario de envío de la información contable. Esta obra está dirigida principalmente a los encargados del cumplimiento de las obligaciones fiscales de las personas físicas y morales, estudiantes y profesores de la materia de impuestos, despachos de contadores públicos, asesores fiscales y, en general, a cualquier persona interesada en el tema.
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Art honours the world, and criticism honours art, even – perhaps especially – when the critic sets out to destroy. The bad review is hardly ever written out of mere spite. In most cases, the motivation is disappointed idealism. Critics are people who love art and who hate to see it traduced. Hence the critic's sempiternal cry: You're doing it wrong. What the critic wants is for you to do it better. Since 2008, acclaimed novelist Kevin Power has reviewed almost three hundred and fifty books. Power declares, 'Even now, cracking open a brand-new hardback with my pencil in my hand, I feel the same pleasure, and the same hope. That's the great secret: every critic is an optimist at heart.' Art that thinks and feels at the same time – 'good art' – requires explication. The writing of criticism in response to such art is an activity that has taken place since Aristotle first sat down to figure out what made tragedy work. It is in the pursuit of this question – what makes good art 'good' – that Kevin Power found his vocation. During a ten-year stint as a regular freelance reviewer for the Sunday Business Post, Power fell in love with the writing of criticism, and with the reading of it, too, particularly by talented novelists who review books on the side. His conclusion is that criticism is absolutely an art. But it is never more so than when practiced by an actual artist. These pieces, ranging from reviews of Susan Sontag to the meaning of Greta Thunberg, apocalyptic politics, and literary theory, represent a decade's worth of thinking about books; a record of the author's attempts to honour art, and through art, the world. In The Written World, Power explains how he became a critic and what he thinks criticism is. It begins and ends with a long personal essays, 'The Lost Decade', written especially for this collection, about his mental and writing block after publishing Bad Day in Blackrock and his decade-long journey to White City. The pieces gathered by Power are connected by a theme – this is a book about writing, seen from various positions, and about growth as an artist and a critic.
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In August 1956 a young shepherd, his wife, two-year-old daughter and ten-day-old son sat huddled in a small boat on Loch Monar in Ross-shire as a storm raged around them. They were bound for a tiny, remote cottage at the western end of the loch which was to be their home for the next four years. Isolation Shepherd is the moving story of those years. Set against the awesome splendour of some of Scotland's most spectacular scenery, Iain R. Thomson's classic book provides a sensitive, richly detailed account of the shepherd's life through the seasons and recreates the events that shaped the family's life in Glen Strathfarrar before the area was flooded as part of a huge hydro-electric project.
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Es ideal para ejecutivos y en general para todas las personas dedicadas al estudio de las disposiciones fiscales. Incluye Otras Disposiciones Fiscales 2019 que contiene: Ley del SAT y su Reglamento Interior, Ley Federal del Impuesto sobre Automóviles Nuevos, Ley Federal de los Derechos del Contribuyente, Ley Orgánica de la Procuraduría de la Defensa del Contribuyente, Lineamientos que Regulan el Ejercicio de las Atribuciones Sustantivas de la Procuraduría de la Defensa del Contribuyente, Ley de Coordinación Fiscal, Ley de Ingresos de la Federación para el Ejercicio Fiscal de 2019, Ley de Firma Electrónica Avanzada y su Reglamento, Ley Federal para la Prevención e Identificación de Operaciones con Recursos de Procedencia Ilicita y su Reglamento, Disposiciones relacionadas con la PTU, Disposiciones relacionadas con las aportaciones al Infonavit, Disposiciones relacionadas con las cuotas al IMSS, Compilación de Criterios Normativos del SAT, Compilación de Criterios No Vinculativos del SAT, Decretos, Acuerdos y Resoluciones, Estado que guardan los convenios fiscales celebrados con México, Directorio Nacional de Módulos de Servicios Tributarios e indicadores.
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In 1801, some five years after Robert Burns' death, nine of his friends sat down to dinner in what is now known as Burns Cottage in Alloway to celebrate his extraordinary life and to give thanks for his friendship. Over the years the informal theme from that evening has developed into the ritual known as Burns Night. This best-selling book is the essential guide for anyone intending to hold or attend a Burns Night of any size. In addition to setting out the order of events for the evening, the Burns Supper Companion also offers fascinating insights into the traditions surrounding Burns Night. Nancy Marshall has spent a large part of her life living and working in Edinburgh. She read English Literature and Medieval History at Edinburgh University, going on to write widely about Scottish song and the poems and songs of Robert Burns.
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<p>"Eugene Witla, wilt thou have this woman to thy wedded wife, to live together after God's ordinance in the holy estate of matrimony? Wilt thou love her, comfort her, honour her, and keep her in sickness and in health; and forsaking all others, keep thee only unto her, so long as ye both shall live?"<br>"I will."</p> <br> <p><br>This story has its beginnings in the town of Alexandria, Illinois, between 1884 and 1889, at the time when the place had a population of somewhere near ten thousand. There was about it just enough of the air of a city to relieve it of the sense of rural life. It had one street-car line, a theatre,—or rather, an opera house, so-called (why no one might say, for no opera was ever performed there)—two railroads, with their stations, and a business district, composed of four brisk sides to a public square. In the square were the county court-house and four newspapers. These two morning and two evening papers made the population fairly aware of the fact that life was full of issues, local and national, and that there were many interesting and varied things to do. On the edge of town, several lakes and a pretty stream—perhaps Alexandria's most pleasant feature—gave it an atmosphere not unakin to that of a moderate-priced summer resort. Architecturally the town was not new.</p> <br> <p>It was mostly built of wood, as all American towns were at this time, but laid out prettily in some sections, with houses that sat back in great yards, far from the streets, with flower beds, brick walks, and green trees as concomitants of a comfortable home life. Alexandria was a city of young Americans. Its spirit was young. Life was all before almost everybody. It was really good to be alive.<br>In one part of this city there lived a family which in its character and composition might well have been considered typically American and middle western. It was not by any means poor—or, at least, did not consider itself so; it was in no sense rich. Thomas Jefferson Witla, the father, was a sewing machine agent with the general agency in that county of one of the best known and best selling machines made. From each twenty, thirty-five or sixty-dollar machine which he sold, he took a profit of thirty-five per cent.</p> <br> <p>The sale of machines was not great, but it was enough to yield him nearly two thousand dollars a year; and on that he had managed to buy a house and lot, to furnish it comfortably, to send his children to school, and to maintain a local store on the public square where the latest styles of machines were displayed. He also took old machines of other makes in exchange, allowing ten to fifteen dollars on the purchase price of a new machine. He also repaired machines,—and with that peculiar energy of the American mind, he tried to do a little insurance business in addition.</p> <br> <p>His first idea was that his son, Eugene Tennyson Witla, might take charge of this latter work, once he became old enough and the in...
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<p>Stories: <br>HOW TOOTS WENT TO BED. <br>TOOTS AT THE KINDERGARTEN. <br>THE HAPPY HOUR. <br>ELFIE. <br>PAUL BROWN. <br>PAUL'S VIEWS AT EIGHT YEARS OF AGE. <br>MAX THE MEDDLER. <br>OUR MAY. <br>A BUBBLE PARTY. <br>SEWING A SEAM. <br>A FOUR-FOOTED FRIEND. <br>NAUGHTY SANDY <br>FLOSSIE'S HANDS. <br>JAMIE DOON. <br>FIVES. <br>OLIVER TWIST AT HOME. <br>MRS. WHITE'S FAMILY. <br>BUD AND BUNNIE. <br>DAISY DEAN. <br>THE COMMISSARY. <br>HARRY'S GUEST. <br>A TIRED VISITOR. <br>MR. SMITH'S FAMILY. <br>WHAT SHALL WE DO WITH BABY? <br>DADDY TOUGH. <br>BUTTON BLUE. <br>THE STORY OF THE CUCKOO. <br>MAJOR AND BENJAMINA. <br>THE COMMODORE'S GUESTS. <br>HARVEST FESTIVAL. <br> <br>TOOTS is our baby. He is a queer one too; up early, and always in dread of bed-time. One morning, not long ago, we heard him singing, and on looking for him, found the little rogue in the very middle of our best bed in the guest chamber, where he was playing hand-organ with a long hairpin put through the pretty pillow covers which had just come home from the laundry. There he sat singing a droll medley of "Uncle Ned," "Blessed Desus," and "Down in the Coal Mine." He had been watching two soldiers with a hand-organ, and Toots likes to do everything he sees done. While we were putting the guest-room in order, Toots marched out as a blind man, with his eyes shut and a cane in his hand. This brought him to grief, for he was picked up at the foot of the stairs with two large bumps on his pretty white brow. <br> <br>Toots was quiet then for a little while, a very little while, for as soon as we decided that his bones were all sound and a doctor need not be called, he "played sick," and asked for "shicken brof" and toast.</p>
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"She hated me. She hates me still ... yes...." He waited. The doctor was embarrassed and came back to the object of the visit. "I should be ever so much more comfortable in my mind if you saw a specialist, Mr.—er—Jackson. You see how difficult it is for me to give an opinion? I may be wrong. I know nothing of your history, your medical history I mean. There are so many men in town who could give you a better and more valuable opinion than I. A country practitioner like myself is rather in a backwater. One has the usual cases that come to one in a small country town, maternity cases, commonplace ailments ... it is difficult to keep abreast of the extraordinary developments in medical science...." "Do you know anything about Machonicies College?" asked the colonel unexpectedly. "Yes, of course." The doctor was surprised. "It is one of the best of the technical schools. Many of our best doctors and chemists take a preparatory course there. Why?" "I merely asked. As to your specialists ... I hardly think I shall bother them." Dr. Merriget watched the tall figure striding down the red-tiled path between the banked flowers, and was still standing on the doorstep when the whine of his visitor's machine had gone beyond the limits of his hearing. "H'm," said Dr. Merriget as he returned to his study. He sat awhile thinking. "Mr. Jackson?" he said aloud. "I wonder why the colonel calls himself 'Mr. Jackson'?"
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